Mabel Bent: Her ‘Chronicles’ covered…

Some of Mabel Bent’s ‘Chronicles’ in the archive of the Hellenic Society, London (photo: the Bent Archive).
[Unless otherwise referenced, original Mabel Bent material courtesy of The Hellenic Society/School of Advanced Study, University of London (reproduced under Creative Commons: Attribution-No Derivative Works 4.0)]

 

 

The Hellenic Society’s holdings of the notebooks and Chronicles of celebrity explorers Theodore and Mabel Bent have now been digitised and are available here via the School of Advanced Study, University of London.

The expeditions
Map showing the expeditions of Theodore & Mabel Bent, 1883-1897 (drawn by Glyn Griffiths © Glyn Griffiths and the Bent Archive).

The Bents had almost twenty years of travel adventures together (1877-1897), being interested in many fields of ethnology, archaeology, and geography in the Levant, Africa, and Arabia.

What follows is a quick glance at the subfusc covers of Mabel’s diaries (or ‘Chronicles’ as she called them) 1883-1897. Not all of them, however, i.e. her (alas lost?) diary of the pair’s trip to Ethiopia in 1893, and Mabel’s solo journey to Egypt in 1898, as a widow, depressively labelled by her: ‘A lonely useless journey’. (Click for the full itineraries and details of all the couple’s travels together.)

Mabel Bent’s travel notebooks:

Plate 1: Mabel Bent’s ‘Chronicle’ covers: 1883/4 to 1897 (upper: 1, 2; lower: 3, 4) (The Hellenic Society).

1) The Cyclades: beginning “Mabel Bent, her Chronicle in The Kyklades 1883-4. Dedicated to my Sisters and my Aunts”, the first of Mabel’s Chronicles (and the only one not to have a pasted front label) is written in a dark-red leather, lined and columned, accounts book (£.s.d.); it has marbled endpapers and edges and measures 175 x 110 mm. Mabel completes 94 of its 130 leaves. note 1 

2) The Dodecanese: beginning “Mabel V.A. Bent her Chronicle in the Sporades, etc. 1885”, the second of Mabel’s Chronicles is written in a blue marbled, board covered notebook (185 x 120 mm) with marbled endpapers and edges. Mabel’s initials are inked on the front. There are 170 lined pages and Mabel fills 115 of them. The pasted cover label reads: ‘Egypt Greece 1885 –’.

3) The Eastern Aegean: inexplicably beginning “My Fourth Chronicle 1886”, the third of Mabel’s travel diaries is written in a dark-red leather notebook (180 x 115 mm) with marbled endpapers and edges. near the edges of the covers there are two parallel and scored lines. There are 192 lined pages and Mabel uses all but 10 of them. The pasted cover label reads: ‘Istambul [sic] Greek Islands 1886 –’. note 2 

4) The Northern Aegean: beginning simply “1887”, Mabel’s fourth Chronicle is written in a dark-red leather notebook (180 x 115 mm) with marbled endpapers and edges. near the edges of the covers there are two parallel and scored lines, the corners including a stylized clover design. There are 85 lined pages and Mabel has covered 75 of them. The pasted cover label reads: ‘Greece 1887’. note 3 

Plate 2: Mabel Bent’s ‘Chronicle’ covers: 1888 and 1889 (upper: 5, 6; lower: 7, 8) (The Hellenic Society).

5) The Turkish coast: beginning “My fifth Chronicle” (the correct numbering is restored), Mabel’s 1888 diary is written in a dark-red leather book (180 x 115 mm), with gold lines on the spine and covers; the endpapers and edges are marbled. Near the edges of the covers there are two parallel and scored lines. There are 192 pages of lined paper, of which Mabel has used 182. This expedition involved a happy cruise along Turkey’s south-western shores – “…a paradise for archaeologists and tortoises…” The pasted cover label reads: ‘Turkey Russia 1888’.

6, 7, 8) Bahrain and Iran (in 3 vols): beginning “Persia 1889”, this adventure, including a marathon ride, south-north, through present-day Iran, and well deserving of a documentary on its own, necessitated three notebooks. Mabel adds in the third volume (8) that it is her 6th Chronicle. Notebook 6 is plain and bound in dark-red leather (180 x 115 mm). The endpapers and edges are marbled; near the edges of the covers there are two parallel and scored lines. There are 148 lined pages, of which Mabel has used all, including the endpapers. Notebook 7, perhaps from the same retailer, is also a plain, dark-red leather volume (180 x 115 mm); the endpapers and edges are marbled; there are 148 pages, of which Mabel has used all, including the endpapers. Notebook 8 is from a different source; it is a plain, dark-red, leathered-covered book (170 x 110 mm); there are 184 pages, plus endpapers, of which Mabel has used 50; the edges are speckled with blue wavy lines. The three pasted cover labels read: ‘1889 no 1 –’; ‘Persia 1889 (2)’; ‘1889 No. 3’.  note 4 

Plate 3: Mabel Bent’s ‘Chronicle’ covers: 1890 and 1891 (upper: 9, 10; lower: 11, 12) (The Hellenic
Society).

9) Turkey: beginning “My Seventh Chronicle ‘Rugged Cilicia’ 1890”, this Chronicle is written in a dark-red leather book (185 x 120 mm). The endpapers and edges are marbled. The paper is lined; there are 90 pages and Mabel has filled 89 of them. Near the edges of the covers there are two parallel and scored lines. The pasted cover label reads: ‘Cilicia 1890’. note 5 

10, 11) South Africa: beginning “1891. My Eigth [sic] Chronicle To Zimbabye in Mashonaland”, Mabel uses two notebooks for the couple’s notorious 1891 travels to and from South Africa, occupying the energetic duo for most of 1891. Notebook 1 (10) is a plain, dark-red leather volume (180 x 120 mm). The endpapers and edges are marbled. The paper is lined; there are 180 pages, plus endpapers, of which Mabel has used all. The volume ends in early August 1891 as the party approaches the year-old Fort Salisbury (modern Harare, where Theodore’s watercolours of the trip are now seemingly inaccessible in the Archives). The second notebook narrates the homeward journey, via Umtali (Mutare) and the Pungwe River to Beira in Mozambique. The second volume (11) does not quite match its predecessor; it is plain and in dark-red leather  (175 x 115 mm). The endpapers and edges are marbled. The paper is lined; near the edges of the covers of both books are two parallel and scored lines. There are 164 pages, of which Mabel has used all but six. The pasted cover labels read, respectively: ‘Central Africa No 1’ and ‘1891 No 2 Africa Central’. note 6 

[Mabel’s notebooks, for what would have been her ‘9th Chronicle’, relating their subsequent expedition in 1893 to Ethiopia, are, alas, lost]

12) Wadi Hadramaut (Yemen): beginning, defiantly, ‘Hadramout’, with no Chronicle number (it would be No. 10), Mabel uses two notebooks to narrate their famous 1893-4 travels to the Wadi Hadramaut in Yemen, Southern Arabia (the start of a trio of ill-fated expeditions). The first volume includes the party’s preparations in Aden (December 1893). It is a plain, dark-red leather volume (180 x 115 mm); near the edges of the covers of both books are two parallel and scored lines. The endpapers and edges are marbled. The paper is lined; there are 146 pages, plus endpapers, of which Mabel has used all. The pasted cover label reads: ‘Hadramaut  1893 to 94  No 1 A’.

Plate 4: Mabel Bent’s ‘Chronicle’ covers: 1894 to 1897 (upper: 13, 14; lower: 15, 16) (The Hellenic Society).

13) Wadi Hadramaut (Yemen): beginning “Continuation of My Chronicle in the only very moderately Blest Arabia 1894”, Mabel’s second notebook here concludes their curtailed trek into the Wadi Hadramaut, and sees the pair reach London again in April 1894. It is a plain, dark-red leather volume (180 x 115 mm). The endpapers and edges are marbled. Near the edges of the covers there are two parallel and scored lines. The paper is lined; there are 146 pages, of which Mabel has used just 34. The cover label reads: ‘Hadramaut – no 2. A 1894 -’. (It appears that the year has been altered from ‘1884’.)

14) Muscat and Dhofar: beginning just “Saturday 15th December, 1894. The Residency, Muscat”, Mabel again gives no Chronicle number (it would be No. 11) to this notebook covering the couple’s aborted and dispiriting expedition into the Wadi Hadramaut, this time from the east. It is a dark-red leather volume with gilt bordering (180 x 115 mm). The endpapers and edges are marbled. The paper is lined; there are 172 pages, plus endpapers, of which Mabel has used just 68, indicating a frustrated expedition. The pasted cover label reads (confusingly): ‘1894-5 Hadramaut’.

15) Red Sea (west coast): beginning “1895 The Chronicle of my Thirteenth Journey”, although in fact, and ominously, it should be referenced her as her twelfth, this penultimate adventure has the couple travelling from Suez, south to Massowa (Mitsiwa) and back, by dhow. On the way home, via Athens, they attend the first modern Olympic Games. Mabel keeps her diary in a lined, dark-red leather book (175 x 115 mm), near the edges of the covers there are two parallel and scored lines. The endpapers are marbled; there are 152 pages in the notebook but Mabel only completes 62. The cover label reads: ‘1895-6 Suez Kourbat Athens’. note 7 

16) Sokotra, Aden: Beginning (with the ‘c’ altered to a ‘k’) “The Island of Sokotra 1896-7”, Mabel’s unnumbered diary (it is, in fact, the unlucky 13th Chronicle) details the couple’s final journey together, and is to witness them at the end both desperately ill with malaria (Theodore dies in London a few days after their return in May 1897, ending nearly twenty years of hitherto inseparable travel). The notebook is a dark-red leather volume (180 x 115 mm), with gold edging to the spine and covers. The endpapers and edges are marbled. The paper is lined; there are 178 pages, plus endpapers, of which Mabel has used 146. The pasted cover label reads: ‘Isle [of] Socotra 1896-7’.  note 8 

Notes

Four of Mabel’s opening flourishes to her ‘Chronicles’. The 1895 notebook was actually the account her 12th journey, making the ‘Sokotra’ journal her unlucky 13th – Theodore died of malarial complications a few days after returning to London, 5th May 1897. (The Hellenic Society).
Note 1:  The Bents had first toured the Eastern Mediterranean, and some of the Greek and Turkish islands, including the Cyclades, in early 1883, but it seems Mabel did not keep a travel diary at that time, more’s the pity, although her later diaries make reference to it (i.e. see The Travel Chronicles of Mabel Bent, Vol.1, 2006, Oxford, p.52). Mabel’s first diary notebook was, in fact, one of Theodore’s, he has written in the back ‘J.T. Bent. Acct. Book. Oct. 13th 1871’: he would have been nineteen and about to go up Wadham College, Oxford, to read history. Perhaps, just before setting out for their second trip to Greece in November 1883, one of the couple hit upon the idea that Mabel should keep a record of the trip, and a simple, dark-red leather notebook that has been lying around for twelve summers is the first thing that comes to hand. But from this inconsequential idea flows a nearly twenty-year stream of travel diaries, unparalleled in their scope, and addictive in their appeal.
Return from Note 1

Note 2:  Still inside this volume is a letter from Mabel’s friend, Mrs H.R. Graham, who writes: “Why oh why don’t you publish it? It simply bristles with epigrams and I am certain would be a great success! You ought to blend the Chronicles into one and I am sure everyone would buy it.’ (This is now possible of course.). The H.R. Grahams were old friends, Graham seconding  Theodore’s application for election as a Royal Geographical Society Fellow on 16 June 1890.
Return from Note 2

Note 3:  Included in the little volume remains a melancholy letter from the unhappy wife of a minor functionary in Skopje. She implores Mabel to visit: ‘Monday morning. My dear Madam, You would really do me a great favour if you would spend an hour or two with me today. Ours is rather a rough kind of home, but I can offer you a cup of tea. I think if you only knew how hard it is for an educated woman to be in exile at such a place as Uskub [Skopje], without either congenial society or habitual surroundings, you would come out of charity. May I fetch you about 4? With compliments to your husband, Faithfully yours, Florence K. Berger’”. Presumably by the end of tea Mabel would have learned that Mrs Berger was herself, in fact, a published author, having written about an earlier stay in Bucharest – A Winter in the City of Pleasure (London, 1877).
Return from Note 3

Note 4:  The first in the trilogy of notebooks elucidating the Bents’ journey from London, via Karachi and Bushire, to Bahrain; then their extraordinary overland ride, zigzagging north-south, through Persia (Iran). The second volume is a record from just north of Persepolis as far as modern Tabriz. Inside the cover Mabel has written her name and address (as she does for most of her notebooks): “Mabel V.A. Bent, 13 Great Cumberland Place, W., 1889”, and has the following note: “The state of the edge of this book is caused by a mule’s rolling in the saddlebags, which broke the butter tin so that the melted butter got into everything.” It seems that Mabel only set out with these two notebooks; aware of space problems, she contracted her usually neat handwriting, making the transcription of these volumes difficult in places. The third volume tells of the journey home – from Tabriz to London. This third  book was bought locally (in Tabriz) and is of poorer quality than the other two that came from London. The binding is poor and some sheets are loose. Tucked into this book is a miscellaneous bill from the ‘Hôtel de l’Europe’, Vladikavkas (capital of North Ossetia-Alania, Russia).
Return from Note 4

The ‘Mandragora’ leaf (M. officinarum) Mabel pins to a page within her 1890 notebook (her 5th Chronicle) during the couple’s travels along the Turkish littoral. (The Hellenic Society)
Note 5:  This was another of the Bents’ enjoyable, carefree even, expeditions (1890, in which they famously discover the ancient site of Olba along the way). On several occasions in this Chronicle (but in no other within the 15-year series) Mabel has leaves occasional spreads of blank pages “for meditations”, suggesting rare hints of intimacy, girlishness too – “Theodore says I can keep the pages I have left out for meditations!” As an example, a ‘mandragora’ leaf remains pinned to one of her pages: “This is said to be a leaf of mandragora or mandrake. I have been given some roots and seen a good many, which are certainly most extraordinary, but I cannot help thinking they are helped into their human form with a knife and then earthed over. Some say after being cut they are planted again to grow a little but as they grow very deep I do not think that likely. I shall believe in them better when I have seen one dug up.” Importantly, this notebook also has tucked within it an extremely rare paper print from one of Mabel’s photographs in the field; no others have appeared to date.
Return from Note 5

An extremely rare paper print of a photograph taken in 1890 by Mabel Bent at the site of an inaccessible inscription near Olba in Cilicia; it was tucked into her notebook of that year: “A ladder was needed to read this [inscription], so one had to be built and very cleverly it was managed… a couple of trees were cut and notches cut in the back of them and then some large sticks just laced on with one loop which hitched into the notches. As one side was about a foot and a half longer than the other it had a queer and dangerous twist.” (‘Travel Chronicles of Mabel Bent’, Vol. 1. Oxford, 2006, p.281) (photo: The Hellenic Society).
Note 6:  This notebook records the couple’s homeward journey from Great Zimbabwe, via Fort Salisbury (modern Harare) and the Pungwe River to Beira in Mozambique. The volume differs from its predecessor; it was perhaps obtained from a stationer’s en route. The top of page two is stained and Mabel has written next to it ‘Hydrochloric Acid’ – presumably part of the photographic paraphernalia from her mobile ‘darkroom’; she was again expedition photographer.
Return from Note 6

Note 7: By ‘Kourbat’ Mabel is referring to the Wadi Kurbab district on the southern Sudanese coast, including the so-called Halaib Triangle. Appointed by the British authorities in Cairo to keep an eye on the expedition was the young Capt. N.M. Smyth (1868-1941) (later Major General Sir Nevill Maskelyne Smyth, VC, KCB). Also with the party, paying his way, was Hugh Alfred Cholmley (1876-1944) of Place Newton, Rillington, Yorkshire; Hugh was a shooter on the trip – photographs and wildlife, especially birds: “While here [near Sawakin al-Qadim] we got a few Sand-Grouse, two young Shrikes, and an Egyptian Goatsucker. One day while near the sea I saw two black Ducks, which I am sure were Velvet Scoters – the large yellow beak and black plumage showed distinctly, but they were too far off for a shot.” (Cholmley, A.J. (1897). ‘Notes on the Birds of the Western Coast of the Red Sea’, Ibis 39(2): 196-209). The last four pages of this diary narrate the couple’s short stay in Athens on the way home, including a visit to the first Olympic Games of the modern era (April 6–15, 1896). The notebook has its cost price written in pencil in the front: one shilling (c. £2.50).
Return from Note 7

The Bents' hospital bill from Aden
The Bents’ hospital bill from Aden, 1897. Folded into her notebook of that year, it is signed by their Goanese physician, Dr Dias (The Hellenic Society).
Note 8: Also, as a (paying) guest, on this trip to Sokotra was (later Sir) Ernest Nathaniel Bennett (1865-1947), academic, politician, explorer and writer; he made the sensible decision not to join the party’s onward trek into the Aden hinterlands. Assisting the Bents on this journey was their long-term dragoman, and friend, Mathew Simos from the Cycladic island of Anafi; from the time they met (the winter of 1883/4) there were only three adventures in which he did not take part: 1889 (Persia), 1891 (Great Zimbabwe), and 1895 (the Bents’ second visit to the Hadramaut). Noteworthy in this Chronicle are several rare inclusions: a unique ‘contract’ for the party’s passage from Socotra back up to Aden; a hospital bill; and a letter from the Aden authorities regarding their onward journey. Mabel was too ill to update her diary for their last few days east of Aden, but she made an effort, the relaxed style of the experienced traveller in the Sokotra sections contrasting with the feverishness and despair of what she was able to write. Her last diary entry in the field was 16 March 1897. She concluded her memoir later, but does not indicate where or when, ending her final journey with Theodore with the lines: “At last a M.M. [steamer] came from Madagascar with room for us, so one afternoon I was taken up and an ambulance litter was brought beside my bed and I was laid in it and carried down to the sea…”
Return from Note 8

[A note on the labels pasted on the front covers. All Mabel’s Chronicles shown above, except for the 1883/4 volume (The Cyclades), appear to be cut from printed paper featuring a distinctive, narrow strip of zigzags. This is curious (as the notebooks cover a period of fifteen years or so), suggesting perhaps that the labels were pasted on at a later date – at around the same time? The handwriting could be Mabel’s, or that of her niece Violet Ethel ffolliott (1882-1932), who gave the notebooks to the Hellenic Society (Mabel died in 1929), or even a cataloguer at the Hellenic Society.]

 

The Bents’ ‘Great Zimbabwe’ collection in the British Museum

The famous soapstone bird the Bents discovered at Great Zimbabwe (From “The Ruined Cities of Mashonaland” (1892).

The three major fields of research (between 1880 and 1900) for celebrity British explorers Theodore and Mabel Bent were the Eastern Mediterranean, Arabia, and Africa. We recently asked Mike Tucker, author behind zimfieldguide.com (delivering historic, cultural and wildlife information for Zimbabwe), if he had an angle on the Bents’ 1891 explorations of Great Zimbabwe and other sites, and he very kindly provided the following essay. Thank you Mike.

James Theodore Bent and Mabel Virginia Anna Bent gave many artefacts to the British Museum from Southern Rhodesia (present-day Zimbabwe) collected during and after their excavation at Great Zimbabwe in 1891.

Introduction

A section of Theodore's map in southern Africa (photo: The Bent Archive).
A section of Theodore’s map in southern Africa (The Bent Archive).

The story of the Bents’ excavation at Great Zimbabwe is told in the article ‘The Bent’s archaeological expedition to Great Zimbabwe in 1891 and the prominent part played by Mabel Bent’ under ‘Masvingo Province’ on the www.zimfieldguide.com website. Theodore Bent wrote over 150 articles, papers and lectures, comprehensively listed in the Bibliography section of the website devoted to the couple. Both Theodore and Mabel Bent were prolific authors and their books are also listed on the website. Other information and details of their journey come from Theodore Bent’s book The Ruined Cities of Mashonaland (1892), written very rapidly on their return home to 13 Great Cumberland Place, London – it proved very popular and ran to five editions. Finally, I used facsimile copies of Mabel’s notebooks housed at the Hellenic Society Archive, University College London.

The Bents’ excavations at Great Zimbabwe

In 1877, Theodore Bent married Mabel (née Hall-Dare, 1847-1929) who became his constant companion, photographer, illustrator and diarist on all his travels and from the time of their marriage they went abroad nearly every year.

Peter Garlake (1973) gives a number of quotes that are relevant to these first excavations carried out at Great Zimbabwe and are repeated below. Bent approached the question of Great Zimbabwe believing, like almost everyone, that its origins must lie with a civilised and ancient people from outside Africa and he had in fact been chosen to undertake the project because of his prior archaeological work on the Phoenicians.

But as far as the Phoenicians were concerned the excavations were showing little evidence of their presence. “Now, of course it is a great temptation to talk of Phoenician ruins when there is anything like gold to be found in connection with them, but from my own personal experience of Phoenician ruins I cannot say that [the Great Zimbabwe ruins] bear the slightest resemblance whatsoever” (Garlake 1973: 66). Every local resident they met was keen to perpetuate the Phoenician myth as was their patron, the British South Africa Company, and the Bents soon saw that the archaeological evidence was contrary to this idea, “the names of King Solomon and the Queen of Sheba were on everybody’s lips and have become so distasteful to us that we never expect to hear them again without an involuntary shudder”.

In June 1891 their excavation work around the Conical Tower within the Great Enclosure soon disproved the theories that Great Zimbabwe was ancient and of foreign origin. “We found but little depth of soil, very little debris, and indications of a native occupation of the place up to a very recent date” and Bent is quoted by his local guide C.C. Meredith as saying, “I have not much faith in the antiquity of these ruins, I think they are native. Everything we have so far is native.

Great Zimbabwe – Aerial view of Great Enclosure and Valley Complex, looking west (Wikipedia, with site locations added).

To quote directly from Peter Garlake, “Work in the elliptical building [Great Enclosure] was abandoned within a fortnight and excavations started in the eastern enclosure of the Hill Ruin [Hill Complex] ‘because it occurred to us that a spot situated on the shady side of the hill might possibly be free from native desecration.’ This was not to be. Throughout the deposits there were great numbers of household objects: sherds from hand built vessels, pottery spindle whorls, iron, bronze and copper spearheads, arrowheads, axes, adzes and hoes and gold working equipment such as tuyères and crucibles. Most of these still seemed indistinguishable from contemporary Karanga articles.” (Garlake 1973: 67)

Yet Bent still continued to be focussed on Phoenician origins. In the Great Enclosure were found four birds carved in soapstone on monoliths and flat soapstone dishes with abstract patterns or animals carved around the edges, small carved cylinders that looked like phalli and an ingot mould: objects unique to the site. Had similar objects been found elsewhere? Bent theorised the birds might copy stelae from Assyria, Mycenae, Phoenician Cyprus, Egypt and Sudan: the patterns on some of the objects resembled Phoenician motifs, the mould resembled one found in Cornwall and thought to be Phoenician.

Similarly with the architecture. The shape of the Great Enclosure resembled the temple of Marib in Southern Arabia, the Conical Tower looked like a Phoenician temple on a Byblos coin as well as structures in Assyria, Malta and Sardinia. The birds might symbolize gods or goddesses, the disc patterns indicate sun worship, the soapstone monoliths and phalli were “grosser forms of nature-worship” (Garlake 1973: 68) and so on.

From his above muddled ideas Bent decided there was, “little room for doubt that the builders and workers of the Great Zimbabwe came from the Arabian Peninsula… a prehistoric race built the ruins… which eventually became influenced and perhaps absorbed in the… organisations of the Semite…a northern race coming from Arabia…closely akin to the Phoenician and Egyptian…and eventually developing into the more civilised races of the ancient world.

His final conclusions, “that the ruins and the things in them are not in any way connected with any known African race” seem extraordinary in view of all the artefacts excavated by the Bents in 1891.

The Collection of Bent artefacts from Great Zimbabwe at the British Museum

The numbers of objects donated below represent only those listed on the British Museum’s online collection, there may well be others in storage and not yet listed.

In all, the British Museum lists on their online collection 583 objects given by Theodore Bent. Those from present-day Zimbabwe number 272 objects (i.e. 47%) the remainder come from their archaeological excavations in Greece, the Turkish coast, Ethiopia, Arabia, etc.

Mabel Bent gave a further 155 objects. Those from present-day Zimbabwe number 26 objects with the remainder from Iran, Yemen, Arabia, Greece, etc. Her final donation to the museum was in 1926, three years before her death, suggesting that the artefacts possessed great sentimental value, reminding her of her twenty years of travel with her husband, who died at the early age of 45 in 1897.

For the purposes of this essay, I have only shown below a representative sample of the objects that the Bents collected or excavated on their 1891 expedition to present-day Zimbabwe.

British Museum objects listed mostly alphabetically and by location area where known. All the images are © The Trustees of the British Museum and appear under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) license. (The images are not to scale – for dimensions, refer to the Bent Collection pages in the BM online catalogue.)

Plate 1: A selection from the 100s of artefacts acquired by the British Museum from the Bents following their expedition to present-day Zimbabwe in 1891 (The Trustees of the British Museum).
Plate 2: A selection from the 100s of artefacts acquired by the British Museum from the Bents following their expedition to present-day Zimbabwe in 1891 (The Trustees of the British Museum).
Plate 3: A selection from the 100s of artefacts acquired by the British Museum from the Bents following their expedition to present-day Zimbabwe in 1891 (The Trustees of the British Museum).
Plate 4: A selection from the 100s of artefacts acquired by the British Museum from the Bents following their expedition to present-day Zimbabwe in 1891 (The Trustees of the British Museum).
Plate 5: A selection from the 100s of artefacts acquired by the British Museum from the Bents following their expedition to present-day Zimbabwe in 1891 (The Trustees of the British Museum).

References:
Garlake, Peter S. 1973. Great Zimbabwe. London: Thames and Hudson.
Bent, J. Theodore 1969. The Ruined Cities of Mashonaland. Bulawayo: Books of Rhodesia, Gold Series, Vol. 5 [first edition 1892, Longman, Green & Co., London].

… and one further curio from Mashonaland:

Cane snuff-box with incised line design (Af1892,0714.99) (Trustees of the British Museum).

“After leaving Chipunza’s kraal, and crossing the River Rusapi, a ride of two hours brought us to Makoni’s kraal… Most of the men had very large holes pierced in the lobes of their ears, into which they would insert snuff-boxes of reeds, decorated with black geometric patterns, and other articles” (The Ruined Cities of Mashonaland, 1892, pp. 354-5). Bent acquires one and it is now in the British Museum (Af1892,0714.99.a), with its original label from 14 July 1892.

 

A list of Theodore Bent’s ‘Africa’ articles/publications (based on today’s borders).

Theodore's map of Ethiopia (photo: The Bent Archive)
Bent’s map of Ethiopia (1893) (The Bent Archive).

The Bents’ second significant field of studies (after the Turkish littoral and the Aegean) was the African continent, beginning with a ‘tourist’ visit in early 1885 to Egypt, taking in such sine qua nons as the Pyramids. The great breakthrough for the celebrity explorers was a commission from Cecil Rhodes to investigate in 1891 the ruins of Great Zimbabwe (in today’s Zimbabwe), followed by adventures in Ethiopia (Aksum, 1893), and the Sudan (1896), generating an extensive corpus of popular and more ‘academic’ articles (historical, ‘archaeological’ and ‘ethnographic’ in content). Along the way they acquired artefacts, ancient and modern, that they would seek to sell or retain for their private London collection. The British Museum, for example, has a large collection of their material. Two best-selling monographs resulted from these expeditions to Africa: The Ruined Cities of Mashonaland (1892) and The Sacred City of the Ethiopians (1893).

Bent’s writings on Africa (today’s boundaries) by year of publication:

1892

1893

1896

For a consolidated Bent bibliography click here.

The Bents’ musical instruments in the Pitt Rivers Museum, Oxford

Interior of the Pitt Rivers Museum, Oxford (wikipedia).

The Pitt Rivers Museum in Oxford has over 50 artefacts acquired by Theodore and Mabel Bent on their 20 years of exploration, including 12 musical instruments (pipes [askomandoura] and flutes [floghera] in particular attracted them).

Some items from the Bent collection are regularly on display in the museum, including their musical instruments. In the early 1890s, the Journal of the Anthropological Institute of Great Britain and Ireland (Vol. 20, 1890-1891, 153 ff) included a paper by Henry Balfour on “The Old British ‘Pibcorn’ or ‘Hornpipe’ and its affinities”, which was part inspired by two ‘Greek’ instruments acquired at different times by the Pitt Rivers from the Bents, and “which seem to throw great light upon the true origin of the pibcorn” (see also A. Baines, Bagpipes, Oxford 1979, p.45).

Bent describes a musical episode on Tinos in 1884 (‘The Cyclades, or Life among the Insular Greeks’, 1885 – archive.org).

One instrument is a curious double-pipe (1903.130.21) from a small cluster of villages on Tinos (Tenos) in the Cyclades. Theodore Bent bought this pipe (on the couple’s second visit to the island in early March 1884), which he calls monosampilos, in the area of ‘Dio Choria’ (Δύο Χωριά), misread by Balfour or his editor as ‘Dio Maria’). The visit was a short one – just a few days (their first tour being in the spring of 1883). In her diary, Mabel recalls that the villagers “were dancing on the roofs and we went up to see them and bought a musical instrument” (The Travel Chronicles of Mabel Bent, Vol. 1, Oxford, 2006, p. 47); Theodore also describes the event – page 262 of his classic monograph on the Cyclades.

The sambouna and double-pipe from the Bent collection of musical instruments in the Pitt Rivers Museum, Oxford (detail from a line-drawing in Henry Balfour’s paper on “The Old British ‘Pibcorn’ or ‘Hornpipe’ and its affinities”,  in ‘The Journal of the Anthropological Institute of Great Britain and Ireland’, Vol. 20 (1890-1891, 153 ff; archive.org).

The second instrument that attracts Balfour’s interest is the famous bagpipe/sambouna (1903.130.23) that the Bents brought back from Karpathos (now in the Greek Dodecanese, then a Turkish possession) in 1885.

Both instruments appear in a rare line-drawing that accompanies Balfour’s paper.

 

The other instruments collected by the Bents and in the Pitt Rivers:

1903.130.7: Double flageolet, carved from single piece of wood. From Belgrade, Serbia (1887).

1891.4.1.1 and 1891.4.1 .2. End flute and case. From the Taurus Mountains (Turkey) (1890).

1888.37.5: End blown trumpet. From Karpathos, Dodecanese (1885). In his 1886 article,’ On a far-off island‘ for Blackwood’s Magazine (Vol. 139, Feb 1886, 240), Bent describes, perhaps, this very instrument, although his name for it is eccentric, perhaps dialect, a variant of the sourali (σουραύλι): “Amusements in Karpathos certainly are not numerous, and may be summed up as consisting of music and dancing in a variety of forms… sometimes… a man will come and play the lyre, — just one of those lyres which their ancestors played, a pretty little instrument about half a yard long, with silver beads which jangle attached to the bow. Besides this they have the syravlion, a sort of pan-pipe made of two reeds hollowed out, with blow-holes and straws up the middle, and placed side by side in a larger reed.”

1903.130.27: End blown trumpet of buffalo horn. From ‘Asia’ (date and findspot uncertain).

1903.130.18: End-flute made from a crane’s wing bone. The flute has been etched with various details, including the Anglicised word ‘syravlion’ (which the PR reads as ‘Syralion’, see above, perhaps dialect, a variant of the sourali (σουραύλι)). From Samos island (1886).

1903.130.16: End-flute of reed. Labelled by the PR as ‘pinavlion’ (dialect perhaps, today pinavli/πιναύλι). From Paros island, Cyclades (1883/4). Bent does not seem to have referred to this flute type in connection with Paros in his Cyclades (p. 379), but he does name again the ‘syravlion’ (see above): “Once, says a legend, a young man challenged the Lady of the Hundred Gates to a playing contest on the syravlion, and went accordingly to the church to play; but the Madonna took no notice of his challenge. Just as he was getting up to go he accidentally knocked over the candlestick, and broke his flute; in this way did the Madonna prove her superiority and humbled the man…”

1903.130.17: Flute made from eagle’s wing bone. From Samos island (1886)

1888.37.6: End flute. From Samos island (1886).

1903.131.18.2 and 1903.131.18.1: Lyra and bow. From Karpathos, Dodecanese (1885).

Bent’s map of the Cyclades from the first edition of his classic 1885 book (archive.org).

Bent’s classic book The Cyclades, or Life Among the Insular Greeks, has several references to the lyre and sambouna, examples of which he donated to the Pitt Rivers. Of interest too are the many mentions of the flute he calls ‘syravlion’, a word unexplained and not found elsewhere perhaps a local variant of the romantic sourali (σουραύλι) or syrinx (Σύριγξ). Bent writes from Naxos: “We came to a halt at a dirty house, where we had to sit for hours… They constantly plied us with coffee, raki, and sweets as we waited… they played persistently for our benefit on the syravlion, or panpipe, and the drum. When shepherds play the panpipe on the hillside it is romantic enough: the instrument is a simple one, just two reeds hollowed out and placed side by side…” (p. 347). There are also recollections of the instrument from the Bents’ time on the islands of Ios (p. 162) and Santorini (p. 134).

How do these instruments sound?

Museum of Popular Music, Athens (wikipedia).

The Museum of Greek Folk Musical Instruments in Athens curates over 1000 items, and many of the displays feature recordings of the instruments playing.

Click for an article on the great sambouna player of Anafi.

Click for eagle bone flute (YouTube).

Click for Karpathos lyra and sambouna (YouTube). Karpathos is where Bent’s instruments in the Pitt Rivers come from (and were presumably made).

Click for the pinavli flute (YouTube).

Other musical instruments collected by the Bents

The major repository for artefacts brought back to England by the Bents between c. 1880 and 1900 is the British Museum, London. The collection is huge, but includes only a small number of musical instruments, not often on display; we list them below for reference. Some of the artefacts entered the Museum in 1926, just a few years before Mabel Bent’s death, indicating her fondness for them; perhaps the rooms of her London home would occasionally echo with sad notes from far away…

From Ethiopia (1893) (click (YouTube) for some of these instruments playing):

Flute (left) and trumpet (right) (archive.org).

(1) Two trumpets (Af1926,0410.63 & Af1893,0715.27). The inventory number for the former indicates that this object remained in Mabel Bent’s personal collection until 1926 – when she was putting her affairs in order in her final years; she died in 1929. We may assume that the object was of sentimental value, giving her happy memories of the couple’s (perilous) journey to Ethiopia in 1893. We should note however that the findspot was not mentioned by Mabel and Bent only refers to one trumpet in his monograph of this trip: “As Digsa was one of the last Abyssinian villages of importance which we should visit, we took care here to annex an Abyssinian umbrella and a malakat [elsewhere malaket] or trumpet…” (J.T. Bent, The Sacred City of the Ethiopians, London, 1893, p. 212).

Ethiopian lyre (archive.org).

(2) Lyre (Af1893,0715.25). In his Sacred City of the Ethiopians (1896 edn, p. 25), Bent writes in Asmara: “Here for the first time we saw the Abyssinian lyre or harp, a specimen of which I coveted for six long weeks afterwards, until I was able to acquire one at Aksum…”.

Ethiopian ‘fiddle’ (archive.org).

(3) Fiddle (Af1893,0715.24). In Bent’s Sacred City of the Ethiopians (1896 edn, p. 26), he writes “… another favourite Abyssinian instrument [is] called the chera masanko. This I also got. It is a sort of violin with a square sounding board, tightly made of skin, and played with a little bow. The asmari or wandering minstrels, also play it, and it is heard at every feast, whether religious or secular.”

4) Flute (Af1893,0715.26), made of cane and leather. In Bent’s Sacred City of the Ethiopians (1896 edn, pp. 28-9), we read: “As the trumpet has only one note, so has the Abyssinian flute, the imbilta. To make an Abyssinian band suitable to escort a great man or perform at a religious festival, you require four trumpets and three flutes, each player sounding a note in turn. The imbilta is nearly a yard long, and is as great a mark of personal distinction as the umbrella.” We may assume that Bent acquired one in Aksum, however, he says they are nearly 90 cm in length and the BM item is 58 cm.

For a contemporary angle on Ethiopian music and instruments, refer to Gabriella Ghermandi (b. 1965), Italo-Ethiopian writer and performer, focusing ‘on the intersection of African (specifically Ethiopian) and Italian identity’.

From Mashonaland (Zimbabwe) (1891):

The ‘sansa’ from Zimbabwe (J.T. Bent, The Ruined Cities of Mashonaland, 1892: 81-82; archive,org).

(1) A sansa/’Makalanga piano’ (Af1892A0714/Af1979,01.4538). Described by Bent as “… very interesting specimens of primitive musical art; they have thirty or more iron keys, arranged to scale, fixed on to a piece of wood about half a foot square, which is decorated with carving behind.

This instrument they generally put into a gourd, with pieces of bone round the edge to increase the sound, which is decidedly melodious and recalls a spinet.” (J.T. Bent, The Ruined Cities of Mashonaland, London, 1892, pp. 81-82).

[Also known as the mbira or ‘thumb-piano’, click (YouTube) to hear it play]

(2) A rattle (Af1892,0714.24). Such a rattle may be referred to in this extract from Bent’s Ruined Cities of Mashonaland (1892, p. 330): “Evidence of festivities was also present in the shape of drums and long chains of grass cases for beads, which they hang round their calves to rattle at the dances…”

(3) Musical bow (Af1892,0714.146). On page 20 of Bent’s Ruined Cities of Mashonaland (1892), such a bow is referenced: “A man stood near, playing on an instrument like a bow with one string, with a gourd attached to bring out the sound. He played it with a bit of wood, and the strains were plaintive, if not sweet…”

From the Middle East (1889-1897):

1) and 2) Two flutes (As1926,0410.56 and As1926,0410.55) from Bahrain (1889), when the Bents spent some time excavating at the so-called ‘Mounds of Ali’.

3) Flute (As1926,0410.61). Acquired on the Bents’ remarkable journey on horseback, south-north, through Persia in 1889 on their way home from Bahrain. “We saw a wedding at Savandi… The women in red, with gold ornaments and uncovered faces, looked highly picturesque, and each carried in her hand a red handkerchief, which she flourished as she went round to the music of the flute and drum.” (From J.T. Bent, ‘In the Mountains of Medea’, Littell’s Living Age, Vol. 189 (1891), p.51).

How does it sound? Click to hear the Persian ney (YouTube).

4) Flute (As1926,0410.48) from the Wadi Hadramaut (Yemen). Collected by the Bents on one of their trips into the Yemeni interior between 1894-1897. “The Bedouin are rather clever at impromptu verses, and when we were in Wadi Ser they made night hideous by dancing in our camp… Bedouin women also take part in these dances… it was very weird by the light of the moon and the camp-fire, but wearisome when we wanted to sleep, particularly as they kept it up till after we were all astir in the morning, yelling, bawling, singing, and screeching… The ground was shaken as if horses were galloping about. A Bedou was playing a flute made of two leg-bones of a crane bound together with iron.” (Mabel and Theodore Bent, Southern Arabia (1900), p.128-9)

How does it sound? Click to hear the mizmar, or Yemeni flute (YouTube).

From London to Oxford?

Flute players in the Wadi Koukout, Sudan (1896), heard by the Bents (‘Southern Arabia’, p.337).

It would make such sense for the Bents’ above-mentioned musical instruments, in store in the British Museum, to be loaned for display, on a long-term basis, to the Pitt Rivers in Oxford, Bent’s alma mater:  after all, he read history at Wadham College (in the early 1870s), just a few hundred metres from the Pitt Rivers today, and how pleasant to think of the great traveller’s legacy freely visible to all there, a great collection from only 20 years or so of exploration, and always with his tireless wife – in the Levant, Africa, and Arabia.

[All websites accessed 02/02/2024]

 

Spring 2024. Here is a recent article (Καθαρά Δευτέρα του 1884 στα Δυο Χωριά με Τσαμπούνες) by Theodoros  Chiou on the Bents’ visit to Cycladic Tinos in 1884, focusing on their fascination for traditional music and musical instruments. (The automatic English translation is of variable quality – αλλά δεν πειράζει !)

Mabel’s two interviews for ‘Lady of the House’ (September 1893 and July 1894)

“For what daughter of Eve could forego ‘the cup that cheers’. ‘And although we often suffered terribly from want of water’, said Mrs. Bent as we chatted about her last journey, ‘I usually managed to have a cup of tea every morning’.”

“Mrs. Theodore Bent might claim, was she not a very modest woman, to be the champion lady explorer of modern times. Together with her husband, the late Mr. Theodore Bent, she has undertaken successfully 13 voyages of exploration, and probably few women are as familiar with the little known islands of Greece as is Mrs. Bent; she was also one of the first to traverse Arabia.” (Southampton Observer and Hampshire News – Saturday, 3 July 1897)

For Mabel Bent’s birthday, 28 January (she was born in 1847), we reprint below two interview-based articles about her that appeared in Lady of  the House on 15 September 1893 and 14 July 1894. It is unlikely that they have seen the light of day since then. In their way, they are remarkable.

Lady of the House

Now viewed by some as Ireland’s first magazine for women, Lady of the House was launched in 1890 in Dublin. This refined Irish magazine regularly, and unsurprisingly, published news of the activities of Mabel Bent, associated, as the latter was, with two eminent Irish families – the Lambarts of Co. Meath, and the Hall-Dares of Co. Wexford.

Mrs J Theodore Bent, Society Portraits feature, “Lady of the House”, Friday, 15 September 1893 (The Bent Archive).

The magazine’s features team clearly recognised that news of Mabel was exactly the right fit for its modern readership. The relationship began, it seems, back in September 1893, when Mabel was the subject of a 500-word piece for the magazine’s ‘Society Portraits’ page: it may well have been based on an interview, and it’s great highlight is a photograph of Mabel in profile that has been much reproduced. As might be expected, the tone of the piece is more than a little hyperbolic, and there are some strange references, i.e. that the couple undertook ‘some successful “digging”’ in Egypt (this they did not, other than bury some picnic rubbish near the Sphinx!), and their work on the island of Thasos, northern Aegean, is relocated to ‘an Egyptian town near Thrace’. The concluding sentence is accurate however: ‘… and last winter [1892/93] they went to Abyssinia, where they made several valuable discoveries, and returned with a collection of curiosities for the British Museum’. The oblique reference to Mabel’s possible election to join the Fellows of the Royal Geographical Society is noteworthy – she was on the shortlist for the second tranche of women Fellows that year, but the RGS executive decided to stop the practice. Mabel is trying not to show disappointment (Theodore, of course, was a Fellow).

The same photograph of Mabel is used the following summer (14 July 1894) to trumpet the Bents’ epic foray into the remote and hazardous Wadi Hadramaut (Yemen) – Mabel is still thought to be the first ‘European’ woman to have (voluntarily) travelled there. The revelation of the piece is that they returned with “very valuable parchments, illuminated on almost every page, which are supposed to date from the time of Mahomed” [sic]. This is the first and only reference to such acquisitions, and where they might be now is anyone’s guess.

The journal continued to report on Mabel’s comings and goings after her widowhood (1897) and into the decades that followed – it may well be that it was supplied with ‘press releases’ direct from 13 Great Cumberland Place, Mrs. Bent’s London headquarters.

Lady of  the House, 15 September 1893, page 19, ‘Society Portraits’ (c. 500 words):

The expeditions
The expeditions of Theodore & Mabel Bent, 1883-1897 (© Glyn Griffiths).

“In the present day travelling has been made so easy that under the auspices of Messrs. Cook & Son it is possible to make oneself acquainted with all parts of the civilised world at a cost which is – comparatively speaking – trifling, and one can go to India, for instance, in a shorter time than it took our ancestors at the beginning of this century to make ‘the grand tour of Europe’, without which no young man of position was supposed to be educated!

“But all travellers now-a-days are not content with the stereotyped tours ‘personally conducted’ (excellent and convenient as these undoubtedly are), and of late years we have heard of journeys which involved considerable risk and privation, and resulted in most important antiquarian discoveries. That an Irish lady should be the most distinguished member of her sex in this respect is distinctly gratifying to our patriotic feelings, and her countrymen and women may be justly proud of Mrs. Theodore Bent, who has shared with her husband all the dangers of exploring remote districts, and assisting in his geographical research.

“Mrs. Bent is a daughter of the late Mr. Hall-Dare, of Newtownbarry, Co. Wexford, and her mother was Miss Lambart, of Beau Park, Co. Meath.

“Although Mrs. Bent’s travels usually occupy a considerable portion of each year, and her home is now in England, she always manages time for an annual visit to Ireland; and the lace industry established by her family at Newtownbarry for the benefit of the tenancy and cottagers in the vicinity has still a staunch supporter in the subject of this sketch.

Mabel Bent’s birthplace, Beauparc, Co. Meath (copyright JP and licensed for reuse under Creative Commons).

“As to the journeys accomplished by Mr. and Mrs. Bent, it is, unfortunately, only possible to give a brief outline, but doubtless most readers are aware that the recent discussion at the Royal Geographical Society arose by the reason of the wish of several members to confer on Mrs. Bent the distinction of being a ‘Fellow’ of that body of notable travellers. Those who were against the admission of ladies have – temporarily at least – gained the day, but Mrs. Bent has not experienced the slightest disappointment about the matter, as she never sought a ‘Fellowship’, and is quite content with the privileges she already enjoys.

“It is about nine years since Mr. and Mrs. Bent started for Athens, and made themselves acquainted with the most interesting portions of Greece, returning next year to the Cyclades Isles, and bringing back to the British Museum many valuable relics dug out of the ruins at Antiparos. In Egypt, too, some successful ‘digging’ was accomplished, and also at an Egyptian town near Thrace, while at Celecia this adventurous couple discovered Olba and the famous ‘Korycian Cave’. A long tour through Persia and over the Caucasus preceded their celebrated expedition to Mashonaland, and last winter they went to Abyssinia, where they made several discoveries, and returned with a collection of curiosities for the British Museum.”

Lady of  the House, 14 July 1894, page 4, ‘In a Sultan’s Harem’ (c. 1000 words):

Bent’s iconic likeness from the studio of James Russell & Sons, around 1895 (The Bent Archive).

“Mrs. Theodore Bent’s name is so familiar to all who are versed in the events of the day, it is hardly necessary to remind our readers that this distinguished member of her sex is an Irishwoman, and therefore a brief account of her last journey cannot fail to have a special interest for her countrywomen. That Mrs. Bent is endowed with unusual courage and fortitude goes without saying, for perhaps no other woman has undertaken such arduous and dangerous journeys, nor assisted so indefatigably in the antiquarian research which is the raison d’être for Mr. Bent’s travels.

“After the unpleasant experiences in Abyssinia during the winter and spring of 1893, many of Mrs. Bent’s friends thought she would not be inclined to seek fresh dangers, but undeterred by what she had gone through, Mrs. Bent commenced preparations last autumn for the South Arabian expedition, as she invariably sees after the necessary camp furniture and provisions, the latter consisting principally of tinned meats, milk, etc., and, of course, tea. For what daughter of Eve could forego ‘the cup that cheers’. ‘And although we often suffered terribly from want of water’, said Mrs. Bent as we chatted about her last journey, ‘I usually managed to have a cup of tea every morning’.

Imam Sharif’s map of the Bents’ expedition to the Wadi Hadramaut, 1894. From Theodore Bent’s 1894 paper for the Royal Geographical Society. Image © The Bent Archive
Imam Sharif’s map of the Bents’ expedition to the Wadi Hadramaut, 1894. From Theodore Bent’s 1894 paper for the Royal Geographical Society. Image © The Bent Archive

“Mr. and Mrs. Bent left England on the 24th November, accompanied by an Arab zoologist, a botanist (sent from Kew), a surveyor from the Indian Government, an archaeologist, and last, but certainly not least, by the faithful Greek servant who had attended the travellers throughout their former journeys, and an interpreter joined them on landing. Starting from Aden, the little party wended their steps towards the interior of South Arabia, camping out at night and by day riding on camels, with the exception of Mrs. Bent, to whom a horse had been presented by a friendly Sultan. Being extremely fond of animals (and of horses in particular), a warm friendship soon sprung up between owner and steed.

Manthaios Simos, the Bents’ long-suffering assistant from Anafi in the Cyclades, thought to be in his nineties in Athens in the 1930s (© Andreas Michalopoulos).

“To give in detail the story of Mr. and Mrs. Bent’s wanderings would be impossible in a necessarily limited space. Suffice it to say that often their path was rough and difficult, and dangers beset them on every side as they got further and further into the country, at length reaching a district where no European had ever entered. The natives – a very strict set of Mahommedans – were determined ‘the unbelievers’ should not pass though, and attacked the little party with their primitive, but dangerous, firearms, and on one occasion the travellers seemed to have slight chance of saving their lives. Yet in the midst of an unknown country, surrounded by foes, Mrs. Bent never once showed fear, though all the members of the expedition, save Mr. Bent and the Indian surveyor, completely lost hope, and gave vent to their terror unreservedly. Mrs. Bent kindly endeavoured to cheer the Greek servant, but he refused to be comforted, ‘although’, she added with a smile, ‘I reminded him we were the first Europeans who had entered the district, hoping he would consider this some compensation. But he replied sadly, “Yes, and probably we shall never leave it!”’ Unfortunately, the poor fellow was so terrified he refuses to accompany his master and mistress on their next visit to Arabia, a resolution which they much regret.

“But there were many pleasant incidents too connected with the months passed in that remote country, and I was greatly amused and interested in Mrs. Bent’s graphic account of a visit to the Palace of Shibam, where she was allowed to enter the harem and spend some time with its inmates. The Sultan of Shibam is the husband of thirteen wives, whose principal occupation seems to consist in painting their faces yellow, and decorating themselves with innumerable gold chains and ear-rings. One of these ladies has considerable influence with his dusky Majesty, and at her instigation he is now building another palace. But the other wives are decidedly stupid and uninteresting. The harem is hung with looking glasses, and furnished with the usual large and rather hard cushions and rugs, while the thirteen ladies wore the long shapeless dress of the country, made of indigo-dyed fine cotton, richly embroidered, in pale grey thread, and further ornamented with pieces of bright-coloured cottons, ingeniously arranged and set off by beads of several hues.

Mabel’s doodle of a face-mask (December 1894, in Muscat/Oman; see ‘The Travel Chronicles of Mabel Bent’, Vol.3, 2010, p.249 ).

“Mrs. Bent showed me a facsimile of the Royal ladies’ apparel she was lucky enough to secure, and also the face mask worn by all the Southern Arabian women except in the privacy of the harem. It is indigo-dyed cotton, with two slits for the eyes, and an embroidered band which ties round the head. They also wear a heavy leather and brass girdle and brass anklets, which are well displayed in front, as the dress I have already described barely reaches to the knees, although hanging in a train at the back. The Sultan’s wives, Mrs. Bent told me, burn quantities of incense in the harem, and brought out boxes of gold chains for her edification. They glanced pityingly at her single pair of ear-rings, for with them this would be a mark of extreme poverty, and when they discovered she was Mr. Bent’s only wife, no doubt of his financial condition was entertained by them!

Mabel Bent’s own photograph of the Sultan of Makalla’s castle, Shibam, Wadi Hadramaut (Jan 1894). It appears in the Bents’ ‘Southern Arabia’ (1900), p.125 (archive.org).

“But the Sultan, who saw Mrs. Bent doing embroidery (work in which she excels) and busying herself about household matters in the camp, came to the conclusion that one wife like her was of more value than his thirteen put together; and when he found how delightfully she can converse, this opinion was strengthened, for, as he candidly acknowledged, his wives were stupid and lazy! As Mrs. Bent hopes to return to Shibam next winter, let us hope the fair inhabitants of the palace have not heard their lord and master’s sentiments. By the bye, Mrs. Bent took a number of photographs in Arabia, including one of the Sultan, who looks as though he was thoroughly pleased with the attention, while a view of the palace gives one a good idea of that genial monarch’s home. Mr. Bent also has souvenirs of the journey in the form of admirable water-colour sketches, and the travellers’ collection of Arabian things embrace specimens of native workmanship and clothing, in addition to wonderful and very valuable parchments, illuminated on almost every page, which are supposed to date from the time of Mahomed.

“If all goes well, Mr. and Mrs. Bent intend starting about November for South Arabia, and penetrating further into the country than they have already done, when it is likely the records of the Royal Geographical Society may be further enriched by Mr. Bent’s explorations, and our charming countrywoman will have again proved what Irish ‘pluck’ can accomplish.”

[You might also enjoy other interviews with the Bents, see the Irish weekly The Hearth and Home  (2 November, 1894) and  The Album (8 July, 1895), as well as the feature in The Gentlewoman, 11 November, 1893]

The Bent-Glaser Correspondence

“The third fragment is perhaps the most tantalising of all; it is a fragment of the lip of another large bowl which must have been more than two feet in diameter, and around which apparently an inscription ran. The lettering is provokingly fragmentary, but still there can be no doubt that it is an attempt at writing in some form: the straight line down the middle, the sloping lines on either side recall some system of tally, and the straightness of the lettering compares curiously with the proto-Arabian type of lettering used in the earlier Sabæan inscriptions…” (J.T. Bent, The Ruined Cities of Mashonaland, London 1892, pp. 199-200)

Eduard Glaser (wikipedia)

The chance find of this above-mentioned fragment of an ‘inscription’ among the ruins of Great Zimbabwe in the summer of 1891 provided Theodore Bent with an opportunity to make contact with one of the leading, if not the leading, Orientalists of his day – Eduard Glaser (1855-1908).

Correspondence between Bent and Glaser is in the process of digitisation by the Austrian Academy of Sciences Library, Archive and Collections: Information & Service (Vienna) as part of their fascinatingly important project Glaser Virtual World – All About Eduard Glaser. We are very happy to acknowledge the current owners of the material reproduced: Regionální muzeum K.A. Polánka v Žatci  (K.A. Polánek Regional Museum, Žatec, Czech Republic) and Státní okresní archiv Louny (SOkA Louny) (State District Archives, Louny, Czech Republic).

To date (December 2023), five letters from Bent to Glaser have been scanned: they are associated with the former’s travels in present-day Zimbabwe (1891), Ethiopia (1893), and Southern Arabia (1894-97).

Letter 4 (19 July 1892) is of unique interest. In it Bent lists his reasons for his theory that the Great Zimbabwe ruins are of ‘Phoenician’ origin. His opinions are not presented in this exact way in any other known source.

The transcriptions that follow are provided by the editors (and include interpretations). Bent’s phraseology reflects his era. Selected comments are added below each letter (and are likely to be expanded in the future).

Letter 1: 1 February 1892 (GlaViWo – Archive: AT-OeAW-BA-3-27-LOAR-232-15-001)

[From 13 Great Cumberland Place, London, W.]

 

Dear Sir

Page 1 of Bent’s letter of 1 February 1892 to Glaser, who has made multiple annotations (GlaViWo – Archive: AT-OeAW-BA-3-27-LOAR-232-15-001).

My friend [Dr] Charles Bezold has very kindly given me the enclosed card of introduction to you. I am going therefore to venture on asking you a few questions on the ancient inhabitants of Southern Arabia.

I have just returned from excavating very extensive ruins in Mashoonaland between the Zambesi and the Limpopo rivers about 300 miles inland and in the centre of the gold producing country.

My finds there are decidedly puzzling, they have no relation whatsoever to anything African; the buildings are massive stone walls of small granite blocks, 30 to 40 ft high and 15 ft thick – no mortar. Some are circular and cover a large area of ground.

Some of the ‘phalli’ from Great Zimbabwe that Bent brought back to London. They were exhibited at the British Museum in 1930. It is thought that some of these objects were retained by Cecil Rhodes for his private Cape Town collection (BM no. EPF9883. Trustees of the British Museum).

Of the objects we discovered, the most prominent are a large number of phalli in soapstone; most of them are circumcised and are an almost exact reproduction of the organ. Many birds on pedestals, 5 to 6 ft high, also in soapstone, bowls of the same material with cleverly designed hunting scenes, etc., carved thereon – very good glazed pottery worked on a wheel.

The chief point in the largest circular building is a tower 32 ft high built of small granite blocks and entirely solid, also with a pattern a few courses below the summit.

In looking for a solution to this mystery we naturally turn to Arabia. That it was the capital of a gold producing population is obvious from the furnaces, crucibles, ingot moulds, etc., with traces of gold in them which we found there.

That the ruins are of great age is proved by the records of the early Portuguese travellers, who speak of them in exactly the same condition as now centuries ago, and the nature of our finds point distinctly to archaic art and archaic cult.

If you can give me any points from your knowledge of ancient Arabian art which will throw light on this question I shall be greatly obliged. May I ask for an early reply as I have to give in a report of my work to the Societies which sent me out.

Yours truly

J. Theodore Bent

Four scenes from Great Zimbabwe, based on Mabel's photographs (photo: The Bent Archive)
Four scenes from Great Zimbabwe, based on Mabel’s photographs (photo: The Bent Archive, from a contemporary edition of ‘The Graphic’).

Notes: Bent reveals to Glaser some of his early discoveries and (erroneous) theories about Great Zimbabwe, as well as his developing interests in ancient links between certain African regions and ‘Southern Arabia’. Carl Bezold (1859-1922) was a German orientalist. Known primarily for his research in Akkadian (Babylonian-Assyrian), he also researched other Semitic languages: Syriac, Ge’ez (Ethiopic) and Arabic (source: Wikipedia). A colleague of Glaser’s at the University of Munich, Bezold probably became acquainted with Bent via the British Museum, but no other references to him in Bent’s works have surfaced to date. Interestingly, the letter is not on Bent’s usual headed notepaper. The couple only returned to London by ship at the very end of January 1892; it is possible that Bent drafted this letter at sea. The ‘Societies’ Bent refers to in his last sentence were the Royal Geographical Society and the British Association for the Advancement of Science. With typical enthusiasm and hard work, Bent was ready to present his results to the former by the third week of February 1892, and to the latter by the end of March (at which it is said that prime minister Gladstone himself was to attend).   

Letter 2: 4 July 1892 (GlaViWo – Archive: AT-OeAW-BA-3-27-LOAR-232-15-003)

[On Bent’s letterhead, 13 Great Cumberland Place, London, W.]

 

Dear Sir

Detail from a contemporary map showing part of ‘Mashonaland’ (Zimbabwe) explored by the Bents in 1891.

Thank you very much for your last interesting letter received on the 2nd [July 1892]. In answer to the questions you put me, I beg to state that the ruins we excavated are identical with those described most accurately by Herr Mauch, as far as he could do so without removing the mass of jungle and débris.

This spot Zimbabwe formed the capital of a long series of temple forts stretching up through the gold country from the Limpopo to the Zambesi, and to the west of the Sabi River. We visited six of the sites and they all correspond in structure and design – but we only excavated at Zimbabwe and there only found things in one particular spot, which is in the shade of a large rock, and hence had not been disturbed by the kaffirs, who build only in sunny spots.

All the bowls, ten in all, plain and decorated, of which we found fragments are of the same size, 21 inches in diameter, one represents a procession with offerings being carried, the rest of the patterns are from animal or vegetable life.

One fragment only would appear to have had an inscription round the lip, the few letters of which are so uncertain that I have not yet found anyone who can venture an explanation. I append a copy in hopes that you may be able to give some idea.

Yours sincerely

J. Theodore Bent

Examples of the iconic soapstone birds from Great Zimbabwe (‘The Ruined Cities of Mashonaland’, p.181).

Notes: The hiatus between Bent’s letter of 1 February and this subsequent one is, as yet, unexplained; we await details of Glaser’s observations. Karl Gottlieb Mauch (1837-1875) was a German explorer and geographer of Africa. He reported on the archaeological ruins of Great Zimbabwe in 1871 during his search for the biblical land of Ophir (Wikipedia). For a panoramic (if not breathless) introduction to the region and the countless quests for its riches, see the section on ‘Mashonaland’ in J.M. Stuart, The ancient gold fields of Africa: from the Gold Coast to Mashonaland (London, 1891, p.201 ff; a reference to Bent’s theory p.231 [the link opens the personal copy of another great African adventurer, Hans Sauer]). Many of Bent’s finds, having been exhibited in the UK, were returned to the care of Cecil Rhodes, who gave some of them to the South African Museum, Cape Town (see, e.g., Edward Matenga, The Soapstone Birds Of Great Zimbabwe (2011). See Letter 3 (below) for more on the rim fragment.

Letter 3: 16 July 1892 (GlaViWo – Archive: AT-OeAW-BA-3-27-LOAR-232-15-004)

[On Bent’s letterhead, 13 Great Cumberland Place, London, W.]

 

Dear Dr. Glaser

The sketch of the rim-sherd found at Great Zimbabwe that Bent returns to Glaser in his letter of 4 July 1892 (GlaViWo – Archive: AT-OeAW-BA-3-27-LOAR-232-15-003).

Many thanks for your letter of the 18th [?]. In reply to your questions, I beg to state that your sketch B (which I return to guide you) is exactly right. Line ‘a’ is the inner rim of the bowl where it slopes into the centre ‘m n’ is the outer rim; the inscription is on the flat surface between and consists only of this [drawing].

These lines are sharp and clear and evidently extended to the left where the fragment is broken, but not to the right. The fragment is 4 inches long and the flat surface 1½ inches wide. I may add that we have a large plain bowl without any lettering or figures of exactly the same shape which is 2 feet in diameter, and the fragments of the bowl all seem to have had the same radius and were 1 foot 2 inches in diameter.

Yours very truly

J. Theodore Bent

Bent’s own watercolour of Great Zimbabwe (‘The Ruined Cities of Mashonaland’, London 1892).

Notes: See Bent’s initial report (and illustration) of this sherd in his The Ruined Cities of Mashonaland (1892, p.198). Where this rim fragment is today is unclear; it was item 25 in a loan exhibition of antiquities from Zimbabwe held in the British Museum in London in 1930, the year after Mabel Bent’s death (‘Loan exhibition of antiquities from Zimbabwe and other ancient sites in Southern Rhodesia’, London: British Museum, 1930); some of Bent’s finds from Great Zimbabwe are identified in museum collections in Cape Town; hundreds of ethnographical items are in store in the British Museum, London. In a letter (from Lisbon?) to Scott Keltie at the RGS [13 January 1892, RGS Archives: ar/RGS/CB7/Bent, T&M] Bent writes “My inscription is Himyaritic and the nature of the ruins closely akin to Arabian, and I can prove the Sabæan origins of the ruins now beyond a shadow of a doubt…” The discovery of this sherd is problematic. In her diary, Mabel Bent writes (18 July 1891) of a “dream of an inscription, beginning ‘Iris’, unfulfilled as yet” by one of the excavators, Mr King. A later critic, Franklin White, in ‘Notes On The Great Zimbabwe Elliptical Ruin’, Journal of the Anthropological Institute of Great Britain and Ireland (1905, Vol.35, 39-47), writes that he has it from ‘a reliable authority’ that ‘some if not all of these lines are recent scratchings most probably made by some one in Mr. Bent’s escort’. One cannot help being reminded of the later controversy over the ‘Bethel Seal’ recovered from the Hadramaut, in which Glaser also plays a part.

Letter 4: 19 July 1892 (GlaViWo – Archive: AT-OeAW-BA-3-27-LOAR-232-15-002)

[On Bent’s letterhead, 13 Great Cumberland Place, London, W.]

 

My dear Sir

A page from Bent’s significant letter to Glaser of 19 July 1892, in which he lists his reasons for associating Great Zimbabwe with the Phoenicians (GlaViWo – Archive: AT-OeAW-BA-3-27-LOAR-232-15-002).

I am extremely obliged to you for the two letters you have written me and the interest you have shown in my South African discoveries.

Curiously enough, before I went out to Mashonaland I was firmly convinced that the ruins were of [Sasanian] origin,  and so convinced was I on this subject that I made my theory public at a meeting of our Royal Geographical Society in 1890.

However after the inspection of the ruins and the results of our excavations I was reluctantly driven to abandon this idea, firstly because neither the ruins themselves nor the finds bore any resemblance to what we know of that race, and secondly because the time which elapsed between the possible date for that race to have occupied Mashonaland and the incursion of the present race of barbarians did not seem sufficient for so colossal an empire to have been built up and for such extensive gold workings to have been carried on. The whole country is honeycombed with deep shafts and the output of gold must have been enormous.

After a careful examination of all our finds I have been obliged to admit, though I must say with reluctance, a Semitic influence for the following reasons:

(1) The presence of a winged sun on the shaft of one of the phalli.

(2) The oft recurrence of the rosette in the decorations.

(3) A curious object with knobs left on it in relief is exactly the same as an object found in excavations at Paphos in Cyprus.

(4) An ingot mould for gold is exactly the same in pattern, namely ‘astragoloid’, as an ingot of tin with an Egyptian punch mark on it now in one of our museums.

(5) The Phœnician treatment of the bowl decorations.

(6) The exact orientation to the rising sun of all the buildings and patterns

There are many other points which I cannot enter into here and which compel one to look in that direction for the origin of the race, but I hope to get them into book form in the autumn.

I am happily able to read German and shall be very glad to hear again from you on the subject.

Again thanking you for your very kind reply to my letter.

I remain

Yours very truly

J. Theodore Bent

“A curious object with knobs left on it in relief” (‘The Ruined Cities of Mashonaland’, p.182).

Notes: This letter is a revelation. For Bent’s earlier thoughts on the origins of Great Zimbabwe, see Proceedings of the Royal Geographical Society, n.s. v.13 (1891), pp. 1-21, following E.A. Maund’s eye-opening presentation to the RGS. Like a weather-vane, Bent was to alter his thinking many times and we may still feel he was ‘bounced’ by Rhodes, who had his own agenda. Ultimately, his published theory was disproved by archaeologists such as Caton-Thompson and others in the 20th century, clearly tarnishing Bent’s reputation. We are reminded of Grant Duff’s (apocryphal) anecdote: “Acton confirmed a story which I had heard, but not from himself, to the effect that Mr. Rhodes had asked him: “Why does not Mr. Theodore Bent say that the Zimbabwe ruins are Phoenician?” Acton replied: “Because he is not quite sure that they are.” “Ah!” said the other, “that is not the way that Empires are founded.” (Grant Duff, Notes from a Diary, 1896-1901, vol I, p. 185; London 1905). Bent indeed, with incredible speed, had his monograph on sale by the end of 1892; The Ruined Cities of Mashonaland proved a bestseller and ran to several editions. 

Based on information received from Bent, Glaser drafted an essay in June 1892 on the discovery of Great Zimbabwe, the manuscript of which has survived: (Part 1) and (Part 2).  

Letter 5:  27 April 1893 (GlaViWo – Archive: AT-OeAW-BA-3-27-ZAMU-11-02-133

[Addressed from Bent’s home – 13 Great Cumberland Place, London, W.] [From a copy in another hand, made 30 April 1893]

 

Dear Sir

Some of Bent’s actual squeezes from Aksum, reproduced as Plate 4 in D.H. Müller, ‘Epigraphische Denkmäler aus Abessinien Nach Abklatschen von J. Theodore Bent, Esq.’ (Vienna, 1894).

It is now some time since I corresponded with you about [our] finds in Mashonaland at Zimbabwe. Since then I have been in [Abyssinia] to Aksum. Near Adoua, I [illegible] Himyarite inscriptions and a temple, also at Aksum many very early [illegible] inscriptions closely akin to Himyarite. Being now thoroughly interested in this subject I am hoping next winter to go into Arabia and should [much] like to [know] what routes you have followed and what inscriptions you have [copied] so that I may take other [things] and not do your work over again.

If you will kindly give me information on this point I shall be greatly obliged. When the squeezes of my Himyaritic inscriptions arrive I shall have much pleasure [in] sending you copies; they are at present on the sea.

Yours very truly

J. Theodore Bent

A limestone incense-burner with Sabaean inscription (2nd c BCE) from As-Sawda, acquired by the British Museum from Glaser in 1887 after one of his journeys to Yemen. Like the Bents, Glaser would sell items to fund future explorations (BM no. 125141, Trustees of the British Museum).

Notes: Glaser made four ground-breaking field-trips to ‘Southern Arabia’ (Yemen) between 1882 and the spring of 1894. The Bents were planning to make their first visit in the winter of 1893/4 and were keen not to duplicate Glaser’s work. It would have been fascinating were they all to have met up in Aden, the British port (with its eccentric hotels) all the travellers came to know well. Broadly speaking, the Bents were to interest themselves with the western extremes of the Wadi Hadramaut, while Glaser took to the east. Whether Bent ever sent Glaser the ‘squeezes’ to which he refers we are yet to learn (there is still a great deal of Glaser’s archive still to process), but the set he sent to D.H. Müller was published in 1894 (see the illustration above). These few lines by Bent are fateful, if not fatal. It is his pursuit of a dream to link up the early cultures and civilisations of certain African regions and ‘Southern Arabia’ (and we cannot rule out some associations with the mythical Queen of Sheba and the gold of Ophir) that led to his death from malarial complications in 1897 at the age of 45. (In Glaser’s 1895 study Die Abessinier in Arabien und Afrika, auf Grund neuentdeckter Inschriften (Munich), there are several references to Bent’s Aksum inscriptions.)

Acknowledgements and further information

We are extremely grateful to Elisabeth Cerny, Ronald Ruzicka, and George Hatke in Vienna for their invaluable assistance and authorisation to share this material (Copyright CC-BY-4.0 non-commercial, Austrian Academy of Sciences, Library, Archive & Collections, Project IF2019/27 Glaser Virtual World ­– All About Glaser).

Click for further references to Theodore Bent in the Glaser archive.

Elisabeth Monamy has written several articles on Glaser that can be recommended, including the entertaining graphic biography Eduard Glaser – From Bohemia through Yemen to Austria.

(all websites last accessed January 2024)

BARD versus BENT – A birthday tribute

For Theodore Bent’s birthday today (30 March 2023; born 1852) we thought we would present him with his very own (Google) BARD resumé! It was generated from a request for “A short account of the life of the explorer J. Theodore Bent”.

And here it is, experimentally of course, paragraph by paragraph, followed by our corrections: we would not want some of the AI (Artificial Intelligence) data appearing in a school essay!

BARD (for it is he or she, etc.): “James Theodore Bent was an English explorer, archaeologist, and author. He was born in Baildon, Yorkshire, England on March 30, 1852. Bent was educated at Malvern Wells preparatory school, Repton School, and Wadham College, Oxford, where he graduated in 1875.

BENT ARCHIVE (thus this is us): Actually Bent was born in Liverpool (his uncle, a successful brewer, had been Lord Mayor). He was brought up in Baildon (between Bradford and Leeds); that he was born there is a long-perpetuated myth. The educational details are correct; Bent took a History degree from Oxford.

The expeditions
The expeditions of Theodore & Mabel Bent, 1883-1897 (drawn by Glyn Griffiths © Glyn Griffiths and Gerald Brisch)

BARD: “After graduating from Oxford, Bent travelled to the Aegean Islands, where he began his archaeological career. He later travelled to Bahrain, Cilicia Trachia, Mashonaland (now in Zimbabwe), Ethiopia, and the Arabian Peninsula. Bent was a prolific writer, and his travels and archaeological research resulted in a number of books, including The Ruined Cities of Mashonaland (1892), The Land of the Sun (1893), and The Southern Arabs (1895).

BENT ARCHIVE: Bent’s first researches were in Italy, he did not reach the Aegean in any meaningful way until 1882; he married Mabel Hall-Dare (1847-1929) in 1877. The reference to the Mashonaland volume (1892) is accurate, but arguably his most successful book, The Cyclades, or Life Among the Insular Greeks (1885), was not picked up by BARD in this search. Bent’s 1893 monograph on Aksum (Ethiopia) was called The sacred city of the Ethiopians; his great work, Southern Arabia, was published posthumously in 1900. Click here for our own full bibliography.

BARD: “Bent died in London on May 5, 1897, at the age of 45. He was survived by his wife, Mabel, and their two children.

BENT ARCHIVE: By all means quote the first sentence, but ignore the second: the Bents had no children.

BARD: “Bent was a pioneer in the field of archaeology, and his work helped to shed light on the ancient cultures of Africa and the Middle East. He was also a gifted writer, and his books continue to be enjoyed by readers today.

BENT ARCHIVE: Impossible to argue with that. Bravo BARD, nice try, you will get there no doubt. Meanwhile, it will be amusing to see how long it takes for Bent’s two imaginary children, Lionel and Mabel, to appear online! We pressed BARD (29/3/2023) a little more on them: “Did the explorer J. Theodore Bent have any children?”

BARD: “Yes, James Theodore Bent had two children with his wife Mabel Hall-Dare: Lionel Bent (1880-1943) [and] Mabel Hall-Dare Bent (1881-1971). James Theodore Bent died in 1897, when his children were still young.

BENT ARCHIVE: Fascinating. Happy Birthday Theodore!

Where the Bents celebrated their birthdays: a review based on Mabel Bent’s Chronicles, 1884-1897

The accompanying interactive map below plots these birthdays: Mabel in green, Theodore in blue. (NB: London [13 Great Cumberland Place] stands in for unknown locations in Great Britain; the couple could have been away visiting family and friends in Ireland or England, including at their property ‘Sutton Hall’, outside of Macclesfield.)

Theodore’s last (45th) birthday took place on 30 March 1897 on the island of Sokotra. Within a few months he was dead, back in London, succumbing to a recurrence of malaria, probably initially contracted in the Cyclades in 1883/4.


There were 28 Bent birthday events (2 x 14) between 1884–1897 (the years covered by Mabel Bent’s diaries). Of these 28, only 5 (18%) were not spent in the field, and only 7 times (25%) does Mabel refer to a birthday in her notebooks directly. In the above Table, column 1 gives the year and ages of the Bents on their birthdays; columns 2 and 3 give their birthday locations. Events in red are when Mabel refers directly to their birthdays. ‘London’ is standing in for unknown locations in Great Britain. If not at their main residence (13 Great Cumberland Place), the couple could have been visiting family and friends in Ireland and England, including at their property Sutton Hall, outside of Macclesfield.

Mabel Bent – A Cycladic birthday, 28 January 1884

Sikinos, Greek Cyclades (Google maps).

As remote as you like, for her 37th birthday in 1884, Mabel Bent finds herself on the Greek Cycladic island of Sikinos, a dot squashed between Folegandros and Ios, a leap northwest of Santorini. She and her husband, Theodore Bent, no less inquisitive than acquisitive, were hopping around the islands looking for material for a book which was to appear the following year – his celebrated guide The Cyclades, or Life Among the Insular Greeks. [See below for a summary of Bent birthdays in foreign lands.]

The couple arrived on Sikinos from Ios, a little to the east, on 27 January 1884 and were put up in the house of the demarch, presumably within the medieval, walled chora. They were well looked after, as Mabel notes in her diary:

“Few  remains  in  Greece  are  more  perfect  than  this temple  of  Apollo …” Episkopi, Sikinos, before the recent restoration works (Wikipedia).

“[The Sikinos demarch] received us very hospitably. We have a real bedroom and washing table and all. We were soon at dinner and many people came in to see us. When we came out of our bedrooms yesterday morning, 28th, my birthday, we had a tray with a coffee pot and sheep milk and some very hard bread with sesame, all at different times, and very soon after eggs and wine, and then set off with a good many men on mules and foot to the Church of Episkopi, once the temple of Apollo Pythios, about 1½ hour off; of course a steep and rocky way. One could quite well see what it had been in spite of the Christian alterations.” (The Travel Chronicles of Mrs J.T. Bent, Vol. 1, Oxford, 2006, p.41)

Theodore gives this small but imposing (and important) monument ten out of ten. Its designation as a temple to Apollo comes from an inscription identified by Ludwig Ross in the 1840s,  but it is more securely considered a mausoleum from Roman times, subsequently rebuilt in the 3rd century AD as a Byzantine Church. Read about it all in a remarkable article, fully illustrated, at Diocese of Sikinos: A unique monument is dedicated to the public today (accessed 19/01/2023).

Very fortunately, the monument escaped the spades of the Bents. Over the last few years it has been re-excavated and restored by the Ephorate of Antiquities (EFA) of the Cyclades, who were awarded the Europa Nostra Award for their work in 2022. The great find was the high-status tomb of a woman apparently named Neiko; Theodore stood just a few metres above her, and she eluded his attentions (unlike the less lucky Karpathos Lady).

Map of the Cyclades from Bent’s 1885 travelogue, showing Sikinos (archive.org)

Here are his words: “Few  remains  in  Greece  are  more  perfect  than  this temple  of  Apollo  at  Sikinos.  Somehow  it  has  escaped observation,  and  it  has  been  too  high  above  the  sea to  make  it  of  any  use  for  building  material;  hence  it escaped  during  the  earlier  years  of  Vandalism;  and  then when  it  was  turned  into  a  place  of  Christian  worship  a certain  amount  of  respect  was  secured  for  it,  which  other ruins  did  not  obtain  until  later  years…” (The Cyclades, or Life Among the Insular Greeks, 1885, London, p.176)

Bent also mentions that they met up with the former mayor, Iakovos Kortesis (Theodore names him Kortes) : “An old man, the former demarch, came in shortly after we were up, and begged for the privilege of taking us about the town. In many respects he seemed a man more respected and looked up to than our jocular host; for we were told that if his age and infirmities had not interfered with the fulfilment of his duties he would still have been in office. Wrapped in a shawl, and stick in hand, he seemed to despise the cold, and trudged on at a good pace to show us his garden. Kortes was the name of the old man, and after showing us his garden he conducted us to his house, a large cold place, without any glass in the windows, just over the town gateway…” (The Cyclades, p.178) There is a splendid Sikinos website with contemporary photographs and references to Bent, and see these other (slightly later) photos of the exterior of the house the Bents visited, and a ‘Sikinos gate‘.

Later in 1885, Bent wrote a bizarre article linked to Sikinos entitled “A Romance of a Greek Statue” (possibly fictitious), on which there is a comment in a Revicto (06/01/2022).

2022

By the way, Mabel was born (see ‘My Baby Blue Eyes‘) in her grandfather’s stately home at Beauparc, Co. Meath, Ireland, a very long way from Sikinos!

A review of Bent birthdays based on Mabel Bent’s Chronicles, 1884-1897

The accompanying interactive map below plots these birthdays: Mabel in green, Theodore in blue. (NB: London [13 Great Cumberland Place] stands in for unknown locations in Great Britain; the couple could have been away visiting family and friends in Ireland or England, including at their property ‘Sutton Hall’, outside of Macclesfield.)


There were 28 Bent birthday events (2 x 14) between 1884–1897 (the years covered by Mabel Bent’s diaries). Of these 28, only 5 (18%) were not spent in the field, and only 7 times (25%) does Mabel refer to a birthday in her notebooks directly. In the above Table, column 1 gives the year and ages of the Bents on their birthdays; columns 2 and 3 give their birthday locations. Events in red are when Mabel refers directly to their birthdays. ‘London’ is standing in for unknown locations in Great Britain. If not at their main residence (13 Great Cumberland Place), the couple could have been visiting family and friends in Ireland and England, including at their property Sutton Hall, outside of Macclesfield.

The Bents: a rare interview from ‘The Album’, 8th July, 1895

‘The Album: A Journal of Photographs of Men, Women, and Events of the Day’ (8th July, 1895, Vol. II, No. 23, pp.44-45).

In July 1895 Mabel and Theodore Bent gave an interview to The Album: A Journal of Photographs of Men, Women, and Events of the Day (8th July, 1895, Vol. II, No. 23, pp.44-45). Published by Ingram Brothers (Strand, London), it was a short-lived venture (the market was extremely competitive); a browse through a collected volume gives an unsurprising but fascinating glance back to Victorian Britain at its zenith.

Zenith can equally well be applied to the fame of the Bents in 1895 – they were celebrities. They had more or less covered the Eastern Mediterranean by the end of the 1880s; ridden south-north the length of Persia (1889); had famously explored the ruins of Great Zimbabwe for Cecil Rhodes (1891); become entangled in the Italian debacle in Ethiopia in 1893; and were now (1895) obsessed with Southern Arabia – their work in the region was to provide the data for Theodore’s great quest of a history linking both sides of the Red Sea over three millennia. This was not to be however – within three years of the article you are about to read, Bent was dead, a victim to feverish malevolence, east of Aden, in the spring of ’97.

Mr. and Mrs. Theodore Bent

Since the days when Sir Walter Raleigh returned from the West Indies laden with good things, down to our own unromantic time, there have always been a large number of large-hearted Englishmen who have devoted their lives, fortunes, and too often their healths, to exploring the little-known corners of the earth with a view to increasing our knowledge of far-off climes, and of adding to the instructive contents of the British Museum and of the other vast treasure-houses possessed by the nation. note 1 

Mr. J. Theodore Bent has played a leading part among latter-day travellers. Accompanied by his plucky and charming wife – nee Miss Hall Dare of Newtonbarry, Co. Wexford –  note 2  he has explored in turn many pathless portions of the uncivilised world, to say nothing of his valuable researches into the bygone civilisations of Greece, Asia, and Africa.

Each one of Mr. and Mrs. Bent’s expeditions has hitherto resulted in a valuable addition to geographical and archaeological literature, and the former’s book, dealing with the famous ruins of Zimbabwe, was the first and in many respects the best, account of Mashonaland published.

The well-known explorer and his wife have lately returned from their second journey into Arabia, and I found them, (writes a representative of The Album), settled for the season in their museum-like London home, a house filled with momentoes of my hosts’ many years of travel, from Greek antiques to the barbaric, if splendid, gifts of his Arab Sheikh friends.  note 3 

The first appearance of this well-know portrait of Theodore Bent, taken (pre 1895) in the studios of society-photographers, Russell & Sons. Three years later Mabel was to approve it for her husband’s obituary in the ‘Illustrated London News’ [May 15, 1897, page 669]
“What do we consider to have been our most interesting and perilous expedition?” echoed Mr. Bent, in answer to a question. “Our last, undoubtedly, for when one comes to think of it, there is scarcely anything known about the land which gave Europe Algebra. There is practically no modern literature dealing with the country. In the old days, when geography was written merely by hearsay, historians and travellers were more reckless as to what they said, but it is wonderful to note how often they arrived at right conclusions. Ptolemy, for instance, wrote about Arabia, and my wife and myself were able to identify several sites mentioned in his works.  note 4  In modern days, certainly, no country has been so little explored. When it was announced that we were going there, the Indian Government placed a surveyor at my disposal, and we hope to complete our task of surveying the whole of the country from Hadramout to Dhofar, and so on.”

“And what were the practical difficulties in the way of an Arabian expedition?” “Owing to the slave trade the Arabians are not at all anxious to have their dark ways made light. Each district is governed by a Sheikh, and the country is in a wild a lawless state. Indeed, Arabia was far more civilised before the rise and spread of Mahommedanism. I traced many of the ancient Sabæan fortresses and towns, and found most interesting inscriptions. We entered Arabia by Merbat, and thanks to the European resident in Muscat, got on fairly well, but of course in the interior our means of getting about was by the help of camels only used to carry frankincense.”

“And what did you take in the way of provisions, and so on?” “I always leave the commissariat side of our journeys to my wife,” answered Mr. Bent, smiling. “She sees after everything of the kind; but as to food, there is one point I should like to mention. I am a thorough believer in tea, and do not advise anyone to explore on spirits, although on this last expedition we took a little rum much over proof to dilute. Then, of course, quinine is the best travelling medicine in the world.”

Mabel Bent with one of her large-format cameras. She was expedition photographer from 1885 until 1897.

“Our exploration larder”, added Mrs. Bent, “is quite varied enough for all reasonable requirements; desiccated soups, corned beef and beef essence, potted meats, condensed milk, and last but not least, some sackfuls of dry bread, are all included, for long experience has taught us both what to avoid and what to add to our travelling impedimenta.  note 5  We always try to be as comfortable as possible when journeying, and so take plenty of sheets and towels; but, of course, the lack of water is a great annoyance. By-the-way, we always travel with one of Edgington’s green fly-tents, with double flaps, the whole made of the green Willesden canvas which does not get mouldy when folded up wet.”   note 6 

“And are you accompanied by a large party?” “During our last journey we were eleven in all; my husband and I were the only Europeans among them. There is no use in taking English servants. Of course this increases danger in uncivilised countries. Constantly on our travels the Bedouins with whom we have been travelling have turned against us, and on one occasion we seriously thought of trying to find our own way to the coast alone.”

“My travelling dress consists of a tweed coat and skirt, a pith hat, with breeches and gaiters. The skirt is made in pleats, and is so arranged as to act as riding habit when I am on horseback.” Mabel Bent dressed for travel. (Photo taken (pre 1895) in the studios of society-photographers, Russell & Sons)

“And have you any views on the best travelling costume?” I enquired. “Yes, inasmuch that we do not alter or modify our travelling costumes, wearing the same kind of clothes in both Africa and Asia. My husband finds a Norfolk jacket and breeches the most practical and pleasant form of dress for either riding or actual exploring work. My travelling dress consists of a tweed coat and skirt, a pith hat, with breeches and gaiters. The skirt is made in pleats, and is so arranged as to act as riding habit when I am on horseback. When actually in camp, that is to say, during the heat of the day – for early morning and evening are the only safe hours to travel – I put on a linen shirt or blouse and ordinary skirt.”  note 7 

“And on the whole, what is your verdict on the various countries you have so successfully explored?” “South Africa is, undoubtedly, the land of the future,” answered Mr. Bent decidedly. “Perhaps you know that in 1891 we explored the ruined cities of Mashonaland, the Royal Geographical Society and the British South Africa Company aiding us in paying the expenses of the expedition?  note 8  Our experience while in the interior taught us something of the possibility of Rhodesia, and I think that an energetic emigrant has as a good chance there as anywhere else; but of course opinions differ. I myself fell a victim to South African fever, but I have noticed that this kind of disease disappears with civilisation, and my views have been thoroughly borne out in the case of Kimberley.” note 9 

Note 1:  See here for the Bent collections worldwide.
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Note 2:  An error in the text, Mabel’s home was Newtownbarry, Co. Wexford, Bunclody today.
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Note 3:  For this ‘museum’, see The Gentlewoman – The Illustrated Weekly Journal for Gentlewomen, No. 175, Vol. VII, Saturday, November 11, 1893, pages 621-622. Coincidentally, the ‘Sixth International Geographical Congress’ was held in London in the summer of 1895, and one or two participants were invited by the Bents to visit 13 Great Cumberland Place, extending “their kindness to the point of offering Prof. Sitta, statistics teacher at the University of Ferrara, delegate of the Anthropological Society of Rome, and me [G. Riccieri], full hospitality in their home, which is not only a perfect English home with all the comforts imaginable, but also a true museum of artistic objects and archaeologists” (trans: Google) [An extract from G Riccieri’s subsequent report (1895) to the Directors of the Italian Geographical Society]
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Note 4:  For example, see the Bents’ identification of the site of Abyssapolis (Khor Rori, present-day Oman).
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Note 5:  For more on Mabel the quartermaster, see this other interview she gave.
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Note 6:  Mabel took several photographs of their tented camps, many of which appear in her book Southern Arabia (London, 1900).
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Note 7:  For more on Mabel’s travel kit, see this other interview she gave.
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Note 8:  In particular, Bent is referring to his work in 1891 at the remarkable monuments of Great Zimbabwe.
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Note 9:  In fact the start of Bent’s demise can be traced back to the Cycladic island of Andros in 1884, and the malarial coastal hamlet of Gavrio on the north-west (Mabel Bent, Chronicles, Vol. 1, Oxford, 2006, pp. 50-51).  The malaria he contracted there was to return many times in the years to come, and he died at 45 of complications from it in May 1897, on his return from Socotra and Aden.
Return from Note 9

[You may also enjoy the two interviews Mabel gave to Lady of the House in 1893 and 1894]

Bent in ‘Black & White’: Introduction

Black & White: A Weekly Illustrated Record and Review.

Theodore Bent had two articles published in the periodical Black & White on Lindos, Rhodes:

* ‘Lindos: The Living City of Homer’ – I (28 February 1891, pp. 109–10).
* ‘Lindos: The Living City of Homer – II’ (14 March 1891, pp. 173–4)

 

 

 

Black & White: A Weekly Illustrated Record and Review was a British Victorian-era illustrated weekly periodical founded in 1891 by Charles Norris Williamson. For the next decade or so it competed with other publications that vied with each other to exploit the new methods of printing (black and white) images, wrapped round with semi-consequential texts by, inter alia, celebrities. There were changes in direction as the market grew tougher, and the first issue of Black & White Budget appeared in October 1899 and it continued under that name until May 1903, after which it appeared as Black & White Illustrated Budget (until June 1905). There was one final issue on 24 June 1905 under the name Illustrated Budget. In 1912, it was incorporated with The Sphere and then disappeared. Ultimately it could not compete with the better-financed and more substantial organs, i.e. Illustrated London News, and The Graphic (to both of which Theodore Bent regularly contributed).

An image of Theodore Bent from the studios of society-photographers Elliot & Fry, probably taken in the early 1890s when Bent was in his late 30s.

But returning to its launch enthusiasm, we read in The Freeman’s Journal of Wednesday, 4 January 1891, that: “At the offices of Black and White [sic], the new weekly illustrated paper which is to appear in February, a large reception was held on Monday night [2 January 1891]. The offices are at the corner of Fleet Street and Bouverie Street. The guests were received by Mr. C.N. Williamson, the managing editor, and Mr. Spielman, the art editor, was also to the fore. Among those present were… Mr. Jerome K. Jerome [he of Three Men in a Boat (To Say Nothing of the Dog) fame (1889)]… and Mr. and Mrs Theodore Bent…”

In all, Bent had three articles published in Black & White:

* ‘Lindos: The Living City of Homer’ – I (28 February 1891, pp. 109–10).
* ‘Lindos: The Living City of Homer – II’ (14 March 1891, pp. 173–4).
* ‘Pre-Mahomedan Relics – Excavations at the Great Zimbabwe’ (2 April 1892 , pp. 430–1).

At some time before the reception referred to above, Bent must have been signed up to contribute to Black & White (he would have known some of the other individuals involved with it perhaps – Oswald Crawfurd, Eden Philpotts, Arthur Mee), and the periodical boasted of him as their ‘Great Zimbabwe correspondent’. Back the previous summer (1890), the traveller was somewhat rudderless, having just returned with his devoted wife Mabel from a long tour, south-north, on horseback, of Persia, and the focus of his later research, Phoenician contacts either side of the Red Sea, had not yet become clear. Then fate took a hand in the extraordinary form of Cecil Rhodes, who part-financed Bent, for the season of 1891, to explore the ruins of Great Zimbabwe, present-day Zimbabwe. It was at this stage, feasibly, that Black & White approached Theodore to write dispatches for them (although they did not announce this until later in 1891, see below). By November 1890, preparations were in full swing, rushed and frantic, and the expedition duly set sail for Cape Town on 30 January 1891, just four weeks after the reception at the offices of Black & White.

Sir Frederic Leighton, ‘Lindos, Rhodes’, late 1860s (Google Arts & Culture).

And during all these preparations for South Africa, Bent was commissioned to pen a few hundred words or so on the famous polis of Lindos, Rhodes – a little odd as he never actually went there when the couple spent a few days on the island in early 1885. Bent’s piece must have been rattled off quickly (it probably nods to the work of others) over Christmas 1890. Black & White wanted to launch with a bang on the Arts, and there must have been some promotion (in 1890) of Royal Academy President, Sir Frederic Leighton’s striking (and hardly known at all today) illustrations of Lindos and Rhodes; Bent, known for his work in the Levant, and having published an article on Rhodes in 1885, found himself involved.

Sir Richard Francis Burton, by Frederic Leighton, Baron Leighton (oil on canvas, 1872-1875) © National Portrait Gallery, London.

It is intriguing to think that Bent was perhaps angling for a portrait by the celebrated artist. Leighton had done a remarkable painting of another explorer, his friend Sir Richard Burton between 1872-1875, the years when Theodore Bent was studying at Oxford and thinking of his travels to come.

This Lindos/Leighton piece that he did for Black & White was divided into two instalments (an old journalistic trick) by the editors, wrapped around Leighton’s evocative pictures, and they appeared in the first issues. They are transcribed elsewhere on this site, and have probably not been much read since the 1890s; those who like Rhodes and Lindos will find them wide-ranging and valuable, if short.

“We await with interest the report of our correspondent, who, besides being a distinguished archaeologist, is also an excellent artist.” Bent’s watercolour of the ruins of Great Zimbabwe from his “The Ruined Cities of Mashonaland” (1892).

In an editorial (1 August 1891, p. 163), Black & White made an announcement with undisguised relish: “Mr. Theodore Bent, our special correspondent in Mashonaland, who is also exploring the grand, and as yet mysterious, remains at Zimbaye on behalf of several learned societies, has discovered images and pottery in the ruins which throw a new light upon their origin, and upon the nationality of the discoveries of, and settlers in, what is assumed to be the ancient land of Ophir. We await with interest the report of our correspondent, who, besides being a distinguished archaeologist, is also an excellent artist.”

In the end, Bent wrote just one article for Black & White, a rather muted one, “Pre-Mahomedan Relics – Excavations at the Great Zimbabwe” (2 April 1892), his best efforts being reserved for other publications, e.g. The Graphic. It is important, nevertheless, for some rare illustrations based on Mabel’s photographs, and is transcribed elsewhere on this site.

In the issue of 13 May 1897 (page 608), Black & White somberly concludes its relationship with the excavator of Great Zimbabwe, and much else: “Mr. Theodore Bent, the indefatigable explorer of South East Africa and Arabia, has passed in his prime at the early age of forty-four. The scenes of his wide travels embrace Greece, Asia Minor, Persia, Mashonaland, Abyssinia and Arabia, and various interesting volumes are left to attest the explorer’s learning and intrepidity.”