Theodore Bent as artist: recent acquisitions by the Bent Archive (June 2026)
Two watercolours by Theodore Bent. Left: A view inside the Old Town, the Island of Rhodes, 1885 (46 x 30 cm); Right: The Çandarlı Halil Pasha Tower, Rumelihisarı (Boğazkesen Fortress), Bosphorus, Istanbul, 1886 (46 x 30 cm) (the Bent Archive collection).
Left: Facing eastwards, a view inside the Old Town, the Island of Rhodes, 1885 (46 x 30 cm)
Theodore and Mabel Bent were on Rhodes from 6 – 20 February 1885, arriving from Alexandria, before moving on to the islands of Nisyros, Tilos, and Karpathos to look for antiquities and traditional artefacts, including embroideries and ceramics. As ‘Franks’ they were not permitted to stay overnight in the famous walled Old Town and took a pension in ‘Niochori’ (the new district) not far from where the casino is today. Mabel clearly feels she cannot do justice to the wonders of the Old Town; leaving descriptions for the guidebooks, she writes in her diary: “It is quite a little walk to the town where no one but Jew or Turk may remain after sunset. The town is very interesting and full of coats of arms and bits of carving and other traces of the Knights, but see Murray” (The Travel Chronicles of Mrs J. Theodore Bent, Vol. 1, 2006, p. 69). Theodore Bent publishes later an account of the social dimensions of their fortnight on the island (‘Rhodian Society’, Macmillan’s Magazine, Vol. 52, 1885 May/Oct, pp. 297-303) – he finds the Old Town’s famous hammam open: “Another easy method of studying this conglomerate society is afforded by the bath. Every Rhodian, of whatever nationality, indulges in the Turkish bath on some day or another in the week, from the lowest menial to the exiled pashas, and everyone pays according to his rank”.

A keen watercolourist and sketcher ever since his schooldays, Bent illustrated most of his 20 years of travel with his wife (E. Med, Africa, Arabia), of course he couldn’t resist the multi-period charms of Rhodes’ Old Town. His scene, facing eastwards, from an elevated position, at first difficult to locate, is explained for us by a resident historian of today: “I think the sea on the horizon is the key detail here. Bent is clearly looking from an elevated point across the city towards the sea, not inland ‘uphill’. The perspective actually fits the topography of Rhodes quite well: the line of today’s Sokratous Street descending on the right side helps orient the scene, and the two principal mosques can be identified fairly convincingly – [firstly] the tall minaret of the Süleymaniye Mosque and, further back/right, the Ibrahim Pasha Mosque. That makes the composition much less imaginary than it first appears.

The windmill also makes more sense in that context: rather than the Omirou/Pythagora mill, it is probably one of the mills associated with the commercial harbour area, visible beyond the Ottoman skyline. In fact, excavations carried out around 2000 in the commercial harbour uncovered the foundations of several mills, showing that there was once a whole cluster of them there. Today only the first mill survives, restored, while the others have disappeared. So Bent was likely recording a real feature of the late Ottoman harbour landscape. Overall, the painting seems to represent a genuine seaward panorama of Ottoman Rhodes” (personal communication, Apostolos Papageorgiou, May 2026).

The line, colouring, foliage, and detail of his watercolour are typical of Bent’s naïve ‘style’, influenced, inter alia, by the work of Edward Lear (who was aware of Bent and owned a copy of his popular book on the Cyclades). One of Bent’s characteristic figures is represented by the muezzin seen calling the faithful to prayer, perched high on the Süleymaniye Mosque’s minaret. Rhodes remained in Ottoman hands until the Italian invasion of 1912. For more on the Old Town’s mosques, see Giorgos Ntellas & Katerina Manousou-Ntella, ‘The Ottoman Mosques of the Medieval City of Rhodes’, in The Ottoman Monuments In Greece Revisited: A Tribute In The Memory Of Machiel Kiel, Athens, 2025, pp. 467 ff.
Right: The Çandarlı Halil Pasha Tower, Rumelihisarı (Boğazkesen Fortress), Bosphorus, Istanbul, 1886 (46 x 30 cm) (the Bent Archive collection)

The Bents’ first stay of any length in Constantinople, based at the Hôtel de Byzance, was from 23 January until 17 February 1886. Although they did visit the region in the spring of 1883, disembarking at Smyrna, Mabel makes no reference to sailing into the Bosporus then; later business took them to Constantinople several times during the months they spent in Turkey in 1888. In 1886 the couple were en route for various islands off the Turkish coast, including Chios, Samos, and Patmos, looking for antiquities.
Mabel’s diary does not give the actual date of their excursion to the Roumeli Hissar Fortress on the Bosphorus, but she refers to it: “We went to Roumeli Hissar and to Bouyoukder and got to know that part of the Bosphoros pretty well and really on the whole we had very fine weather, but the inhabitants were desiring snow” (The Travel Chronicles of Mrs J. Theodore Bent, Vol. 1, 2006, p. 135).

Skilful engineers designed the fortress complex to roll up and down over the hilly contours of the landward Bosphorus here. Linked by its walls, the great features of the defences are its three massive bastions: the cylindrical Saruca Pasha tower to the north; the Zaganos Pasha tower (also cylindrical); and the Halil Pasha tower on the waterfront, with its 12 sides – originally bristling with guns to help control the strait. It is this latter tower that attracts Theodore Bent on their day out, taking a position that enables him to include the eastern (Asian) shores of this historic waterway in the distance. The tower, seeming to tilt slightly, is the obvious eye-catcher, Bent emphasising its power by the bulk and width; pleasingly, the structure is echoed by one on the far bank, two finger-pines adding elevation. Most of the tower’s adjacent structures visible to Bent have been removed and the area is undergoing extensive restoration (2026). (Mabel also mentions going to see the ‘Bouyoukder’ (Büyükdere) area, the smart quarter with fine Turkish mansions, then much favoured by diplomats and other elites.)
Bent’s articles on the immediate vicinity include:
- ‘Byzantine Palaces’. The English Historical Review, 1887, Vol. 2, 466-82.
- ‘Baron Hirsch’s Railway’. The Fortnightly Review, 1888, Vol. 50 (44) (Aug), 229-39.
- ‘Constantinople’. The Classical Review, 1888, Vol. II (10), 329. [Some archaeological notes]
- ‘A Scholastic Island’. [Princes’ Islands/Adala, off the coast of Istanbul]
Macmillan’s Magazine, 1889, Vol. 60 (May/Oct), 444-9. [Reprinted in Littell’s Living Age, Vol. 183 (1889), 312ff].
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