Of Pyramids and Picnics – Theodore, Mabel, the Owl and the Pussycat

Edward Lear, The Pyramids Road, Gizeh. Signed with monogram and dated EL.1873 lower left. Oil on canvas. Unframed: 53 by 104cm., 21 by 41 in (reproduced from the Edward Lear blog site – A Blog of Bosh).

Yesterday (30 March 2021) a distant view of the Giza Pyramids by Edward Lear sold at Sotheby’s (Lot 25) for £801,500, the second-highest price, we think, ever reached for a painting by this quite extraordinary man and artist.

Some Pyramid scalers in 1885 (the year of Mabel’s ascent), by J. Pascal Sébah. Obviously clambering all over them was the thing to do back then; it is not recommended today (although it seems Emma Thompson famously did in ‘Fortunes of War’).

It’s  a wonderful painting – your eye focusing on the dot of light at the end of the road, before glancing right, to the Pyramids themselves. Thoughts of the Bents in Cairo come to mind, notably in early 1885 when Mabel climbed Khufu, the Great, on her birthday (Wednesday 28 January): “… After dinner we went out in the bright moonlight and Theodore… went to visit the Sphinx but I preferred to go up the Pyramid, as I had not done it on Monday… I scrambled up all alone… I wondered if ‘Fair Rhodope who as the story tells’ sat on the top of the Pyramid,  delighting all beholders, was a poor creature whose clothes had got torn off in the ascent and who could not get down. I thought of the dangers and difficulties in ‘Murray’ and ‘Baedeker’ and determined to read about them and tremble tomorrow, and I banished scornfully a very passing thought of the silk elbows of the only smart frock I have with me, and joyfully and proudly reached the summit, a strangely dressed figure – Hat, silk and velvet brocade body, white lace fichu over it and a blue cloth petticoat with a wide scarlet band, which I quite vainly tried to conceal by tying a black lace scarf round it; the skirt had been discarded before starting… It was splendid being up there and I think it very very unlikely that any other person has been up by moonlight on his birthday before… 

(It was on this same trip, we can reveal, that Theodore and Mabel actually excavated at Saqqara (near Ti’s tomb) – not a widely reported fact and their activities went unpublished, but for Mabel’s diary entry of a picnic there on 30th January 1885:  “We improved our knowledge of the letters and were so delighted with the outer part that the old man rattled his keys much and often to try and attract us inside. When we did get inside we felt we should be there a long time so sent for our luncheon which we ate in the outer part, digging a hole for orange peels etc., that they might not offend the sight of future comers.“)

A view of Kasr-es-Saiyyad, Egypt, by Edward Lear (Christie’s sale 26 June 2007)

If you are curious, a search for the highest price paid for a Lear finds a sum of  £938,400 in June 2007, at Christie’s, for another Egyptian view: Kasr-es-Saiyyad (Kasr es Saiad, El Qasr el Saiyad).

Edward Lear (wikipedia).

Astronomical prices indeed for an artist who had to work tirelessly in his lifetime to make ends meet and who eventually settled modestly in San Remo, Italy, where, in a manner of speaking, he met Bent: “Tozer of Oxford sends me a charming book… by Theodore Bent… all about the Cyclades. (Dearly beloved child let me announce to you that this word is pronounced ‘Sick Ladies,’ – howsomdever certain Britishers call it ‘Sigh-claides.’)…” (Lear to Chichester Fortescue, Lord Carlingford [30 April 1885, San Remo]).

Mabel Bent’s diaries are available from Archaeopress, Oxford.

 

The lost reviews of ‘Southern Arabia’ (1900), by Mabel and Theodore Bent

The cloth cover of ‘Southern Arabia’ (from an item on AbeBooks).

“We cannot too much admire the persistence, courage, and cheerful endurance of hardships displayed by Mr. Bent and his plucky wife.” – The Manchester Guardian

“Mrs. Bent has compiled a work rich in information. Much is included of extreme utility. The volume with its good maps and illustrations and instructive appendices, will deservedly take its place in the category of recognized and authoritative books of travel.” – The World

“May we hope for more.” – The Outlook

In anyone’s list of the best twenty books in the English language on explorations in the Middle East you are likely to find Mabel and Theodore Bent’s Southern Arabia, published in London on 26 January 1900.

This ambitious work, compiled by Mabel from her ‘Chronicles‘ and the notebooks and articles published by Theodore before his untimely death in May 1897, a few days after returning from Aden, now commands high prices  for its first edition, handsome as it is with its red cloth binding, sketches by Theodore, Mabel’s photographs, and numerous maps.

The first page of the Table of Contents from ‘Southern Arabia’.

The book would have cost you 18 shillings, quite a sum in those days, over £40 now.  However,  you will need to find over £500, or as much as £1500, for a good original copy today (March 2021). On-demand  editions, thankfully, are easy to find and there are also excellent, highly-recommended (and free) online versions (e.g. archive.org), and the Table of Contents is reproduced here from one.

The region absorbed Theodore Bent for the last few years of his short life and it is thus unsurprising that Mabel spent the next ten years or so, the first decade of the twentieth century, returning for lengthy stays in Palestine, making Jerusalem her base. It has to be said that these sojourns were challenging for Mrs Bent – she had no partner, she became involved in intrigue and controversy, she tried her hand at bookselling, at caring for Gordon’s spurious Garden Tomb (editing a guidebook to it in the 1920s); and there was the episode of her ride alone in the wilderness and her fall and broken leg, and then there is the mystery of the so-called Bethel Seal. And much must be seen within the context of her formative years – a difficult father, the painful death of her mother, the assumed suicide of her younger brother, the early death from typhoid of her elder brother… the need to be somewhere else can be well understood.

The second page of the Table of Contents from ‘Southern Arabia’.

Strangest of all, was Mabel’s obsession – for such it seems – with the controversial movement, British Israelism, and she used her months in Jerusalem to research and write that tract of nonsense she published in 1908 under the title Anglo-Saxons from Palestine. However the book serves two good purposes, one is to illustrate just how absurd the concept was, and is, and the other is to provide, of all things, fourteen pages of reviews of her 1900 publication – Southern Arabia.

Next time you publish, try asking your editor if you can include fourteen pages of reviews of your last book, and a book on someone else’s list to boot! See what answer you get! But you are not Mabel Bent of course – she was something of an unmovable force, much respected for her courage and ‘pluck’, in mountains and deserts, and on horse, donkey, and camel.

Mabel Bent taking tea with Moses Cotsworth and party in the Palestinian hinterland in 1900/1 (Moses Cotsworth collection, unknown photographer. Photo reproduced with the kind permission of Rare Books and Special Collections, Irving K. Barber Learning Centre, University of British Columbia).

Much of this is evident in what amounts to Mabel’s scrapbook of press cuttings on Southern Arabia, which we present for you via the link below. It is unlikely that they will have been read much since their publication. They are Mabel’s own selection, and she has judiciously edited them for negative remarks – a stinker  (‘Man’, Vol. 1, 1901, 29-30) presumably by Arabist D. G. Hogarth, understandably, is not included, but he may well have had a pen in a couple of the others!

The Bents’ map of the Yemeni interior (from ‘Southern Arabia’).

Reading them, with their focus on Aden, Bahrain, Yemen, Dhofar, Oman, Muscat, Sokotra, the Red Sea, etc., you could just as well switch the geography to the Eastern Mediterranean, Egypt, Africa, Iran, the western seaboard of India, or Iran – those other theatres of exploration engaging the Bents for twenty years. And not lost on you, with the sense that Mabel is underscoring each, will be all the old adjectives of Empire – the review from the Illustrated London News is, well, illustrative: “That lady’s high spirit and courage, the tact and cleverness with which she managed to bear her position, as the only female traveller must have been a great help to her conjugal partner. This book is her memorial of him and will be acceptable to many readers.”

Theodore and Mabel Bent (the Bent Archive).

But no excuses are needed for drawing these lost glimpses of the Bents  to your attention (the bibliographical references are incomplete, let us know if you want any specifically and we will try and help) – the notices will have reminded Mabel, of course, of her dead husband, and their fulfilled twenty years of adventures together, and, like all travel-addicts, her need to be somewhere else…

The lost reviews of ‘Southern Arabia’ by Mabel and Theodore Bent

“The vivacity of her feminine humour, the keen observation of amusing little details, the lively recollection of droll anecdotes, and the brave wife’s spirit of comradeship in their frequent adventurous travels, grace with a peculiar charm the instructive revelation of much rare fresh learning which concerns the lore of historic antiquity, as well as the present condition of territories yet imperfectly known… That lady’s courage and high spirit, the tact and cleverness with which she managed to bear her position as the only female traveller, must have been a great help to her conjugal partner. This book is her memorial of him, acceptable to many readers who condole with her irreparable bereavement.” (The Illustrated London News, April 21, 1900, p. 556)

Mabel’s Museum – 13 Great Cumberland Place, London, W1

“[One] of the most notable and charming women of the day…” and her “museum” – 13 Great Cumberland Place, London, W1

“The Gentlewoman – The Illustrated Weekly Journal for Gentlewomen”, No. 175, Vol. VII, Saturday, November 11, 1893.

Both Theodore and Mabel Bent liked to style themselves ‘archaeologists’, and at times a case can be made that they were… and at others that they were anything but. But there can be no doubting they were truly exceptional travellers and explorers, regularly facing uncertainty and considerable hardships over a period of almost twenty years – ‘excavating’ where they could, usually in line with whatever Theodore’s current hobby-horse happened to be – early life in the Cyclades, the Phoenicians, the Queen of Sheba…

Theodore and Mabel Bent (the Bent Archive).

The Bents are an amazingly addictive couple and ‘the archaeology of the Bents’ is very much part of what the Bent Archive is all about. And now and then, once in twenty years of research, something truly remarkable, unique even, comes to light. The late summer of 2020 produced just such a discovery, beginning with an insignificant alert from the British Newspaper Archive saying that a quality women’s magazine, The Gentlewoman, had been added to its list of digital holdings, most of which originate from the British Library. Straightaway the search term ‘Theodore Bent’ (which will turn up either Mr or Mrs J. Theodore Bent) went in, and, just like an excavator in an opening trench, you wait to see if anything comes up. Bingo! There it was – The Gentlewoman – The Illustrated Weekly Journal for Gentlewomen, Vol. VII, Saturday, November 11, 1893, pages 621-622, Article title: Gentlewomen ‘At Home’, No. CLXXV, ‘Mrs. Theodore Bent… at 13, Great Cumberland Place’.

An intriguing portrait of Mabel Bent in the “Gentlewoman” article reprinted here.

An astonishing discovery, and for us as intriguing as anything the Bents brought home to London from the Eastern Mediterranean, Africa, or Arabia.  And what makes the article so appealing is that it is the only piece unearthed  so far that goes into any detail about the Bents’ archaeological and ethnographic finds that they had out on show in their London townhouse (an invitation and victim to the Blitz), 13 Great Cumberland Place, just a few hundred metres from Marble Arch. A further discovery is that the article also contains a very rare portrait of Mabel (which our research shows is by Henry Van der Weyde); there are also three unique photographs, sadly very dark, of the interior of their house.

This revelatory article from The Gentlewoman is now transcribed below and we make no apologies for its length – you can return to it as often as you like, and it is probably the first time for a hundred years it will have been re-read. Its context (and once more we have archaeology), reinforces the aura of celebrity the Bents had acquired following their 1891 trip to ‘Great Zimbabwe’, with Cecil Rhodes scheming behind him – and in a sense the great ‘Colossus’ made a minor one of Theodore, and Mabel too.

The last few paragraphs of the piece make reference to the 1893 scandal involving the controversy of whether women should continue being elected Fellows of the Royal Geographical Society – Mabel was in the proposed second cohort (22 or so had been elected thus far), but the RGS hierarchy managed to ban them from applying. It was a sorry story, not put right until 1913.

It is also worth noting that some of the dates mentioned in the article are inaccurate for some reason – perhaps Mabel’s memory let her down during the interview with the editor.

43 Great Cumberland Place - missing its blue plaque
The Bents’ first home at 43 Great Cumberland Place. 13 Great Cumberland Place, alas, is no longer with us.

Nor does the article always make for happy reading – there are inclusions and stray finds that are unwelcome today, but which were the matrix of the day – the discovery that two ikons from the Patmos’ ‘Cave of the Apocalypse’ were removed is a shock (although Mabel in her diary records that at least one was ‘purchased’). Mabel died in 1929 and a few years previously she donated some of the artefacts she held most dear, those that reminded her most of happier times before Theodore’s early death in 1897, to the British Museum. All her remaining assets were bequeathed to her nieces, and her collections divided up, dispersed, sold off, reverting to anonymous items, and now in the main contextless, provenances lost. And the Patmos ikons? Where they are today, we don’t know. Let’s hope some future archaeologist turns them up and sees these little treasures returned to the Dodecanese…

… but let’s make a start on the transcription, and hand you over to Theodore and Mabel, in one of their cluttered drawing rooms, carriages rattling along in the street below, being interviewed by the editor of The Gentlewoman, Joseph Snell Wood. It is Autumn in London in 1893, an empire’s heyday, and the leaves in Hyde Park are changing colour…

Gentlewomen ‘At Home’, ‘Mrs. Theodore Bent… at 13, Great Cumberland Place’

 

“A Week on Wheels in East Anglia” – Bent gets on his bike

Possibly sketched by Theodore Bent himself, a detail from the cover of “A Week on Wheels in East Anglia”, Nigel Gresley’s 1896 account of their bicycle tour. (private collection)

A throwaway line in Mabel Bent’s ‘Chronicle’ of Monday, January 25th, 1897, written off the beaten track in Socotra, arouses curiosity and links us tangentially to her husband’s friend, Nigel Gresley: “All the booted portion of the party are now in anxiety about their foot gear, as to how it will hold out till Tamarida. We apply the gums of various trees to retard consumption. At last, instead of going over a precipice we (turned to the left) reached a river and on the other side of that we encamped… I was not tired. I am sure our legs will be in good training for our bicycles [our italics].” (Travel Chronicles of Mabel Bent, Volume 3, p. 300)

Bicycles? Yes indeed… The Bents were bikers by the 1890s, if not before.

(Grace’s Guides)

Around the early 1880s, soon after the Bents’ wedding in fact, bike designers were looking for ways of getting their riders nearer the ground (think ‘Penny-farthing’ here), i.e. safer. It was a British engineer, it seems, who cracked the problem – John Kemp Starley (1855-1901), with his 1885 ‘safety’ bicycle (coincidentally the year Theodore was also making a name for himself with his famous guidebook on the Cyclades). A revolutionary feature of this new invention was that now both wheels (with pneumatic tyres ) could be the same size, thanks to its chain drive mechanism.

The Starley ‘Rover’ (the polymath designer was involved with the founding of this famous brand) and other models soon started a craze for biking, and thousands of clubs sprang up all over Europe. Also revolutionary was the speedy acceptance of biking by women (suitably attired), and these bike clubs can be said to have played a proud and early role in gender equality! The only reference we have so far by Theodore himself to the sport comes in a letter of 13 September 1896 to the renowned cartographer H.R. Mill, from the house of Bent’s Irish in-laws in Co. Carlow: “We are having it miserably wet over here and biking is at a discount” (Mill Correspondence, RGS  RGS/CB7/Bent, T&M).

But a few weeks later, in England once more, the clouds had mostly blown away and Bent was back in the saddle – this time not with Mabel (and we don’t have her opinion on this separation), but with his very old friend the Rev. Nigel Walsingham Gresley of Dursley, Gloucestershire (UK). Cairo to Cape Town (Bent knew them both)? No. Aden to Shibam (ditto)? No. What we have is an energetic week in gentrified East Anglia, eastern England – eating, drinking, fishing, sketching, brass-rubbing, and church-going.

The  American bicyclist and adventurer  Frank Lenz on his fateful tour of Asia Minor in 1894. The photo shows how to pack your gear. (wikipedia)

Clearly Bent’s trip with his old school and college friend was well prepared in advance, as there were prearranged stops to visit some of Theodore’s acquaintances, including the great novelist Rider Haggard (fellow enthusiast for Great Zimbabwe) and Sir Elwin and Lady Palmer, the former at the time was Financial Secretary to the Khedive in Egypt. In the record of the tour, we read that the friends ‘dined’ with the Palmers, raising the question of clothes! Gresley packed his fishing rod it appears, and what else did they pack for a week and how was it all carried? There are old photographs of fardels strapped to the fronts and backs of bikes, and others of knapsacks.

“East Anglia, in the east of England, comprises the counties of Norfolk, Suffolk and Cambridgeshire”. (wikipedia)

The map below itemizes where they lay their weary selves after each day’s ride and the major sights they took in along the way. East Anglia comprises the counties of Norfolk, Suffolk and Cambridgeshire, the name deriving “from the Anglo-Saxon kingdom of the East Angles, a tribe whose name originated in Anglia, in what is now northern Germany”, as Wikipedia informs us. In Bent’s day, as now, the region was a most pleasant recreational area – the location of the brisk Norfolk Broads, the birthplace of the great Nelson, and the site of a royal residence at Sandringham, among many other attractions.

We don’t have the actual dates of this biking ‘week in East Anglia’, but it must have been the autumn of 1896. Gresley’s (privately) published account is dated October 28, 1896, and it informs that the pair “starting from Dursley one Monday morning” reached Norwich that night by train; the following Tuesday they caught the midday train from King’s Lynn back to London. Sadly we don’t know what bikes they had, but, interestingly, Dursley later had its own bicycle factory! As they made several boat journeys  during the week (in this watery landscape of lakes and twisty rivers – the Waveney, Bure, and Ant), it is not easy to estimate the miles they covered, and of course we have no way of knowing which roads they took then, but it must have been over the 200 miles Gresley claims (and where he makes specific references,  or the routes seem relatively clear, a distance in miles has been inserted into his text.)

As for the cost of a bike in those days (1890), we are talking £12 – £20; this seems most reasonable, but remember a pound then would cost you £50 now – so for your new bike: £600-£1000 – rather like today.

That ‘sine qua non’, the ploughman’s lunch. (wikipedia)

And a glance at any map of Suffolk and Norfolk will tell you how labyrinthine the area can be. What maps did our tourists take one wonders? We know Bent had his expedition maps prepared for him by the famous Edward Stanford of Charing Cross. Perhaps from them they ordered a set of the beautiful Ordnance Survey One-Inch maps of England and Wales (the Revised New Series of 1892-1908), a crucial feature of which is the word INN, found in most villages!  As for how many times we would have seen the tourists’ bikes propped up against a thatched pub we are not apprised, but opening hours would have been observed no doubt: “… an uncommonly good luncheon of sausages, fried potatoes, and excellent cheese and butter (it is astonishing how hungry bicycling and sight-seeing make one!)”, writes Gresley.

St James the Great, Dursley, Gloucestershire, England. (wikipedia)

During Gresley’s tale, one can imagine Theodore Bent chatting away, as the bike wheels click, of the lands and landscapes he had passed through over the last twenty years – Africa, Arabia, Persia, Ethiopia, the Sudan – and what a contrast to the benign byways of Norfolk and Suffolk. Of Bent’s cycling chum, the Rev. Nigel Walsingham Gresley, we know not much, other than what a few online references can provide (and should you have a photograph of him please let us know). He was born in 1850, probably in Ashby de la Zouche, and attended Repton School, beginning his friendship with  Theodore Bent there. His father was a keen amateur archaeologist. He took an MA from Exeter College, Oxford (Bent was at Wadham). Having several ecclesiastical roles, he was rural dean of Dursley, Glos., at the time of this bike tour of East Anglia with Bent. He married Jane Drummond in 1878 (the year after the Bents’ nuptials). He died in 1909. There is no doubting he was a close and trusted friend of Theodore’s, being left £1000 in the latter’s will in 1897, tragically just a few months following the carefree tour of England’s eastern counties, which we are to let you read any minute now.

WikiTree appears to have much interesting information on the Gresley family (and see The Gresleys of Drakelowe (1899) by Falconer madan), including that they married into the venerable Italian di Langosco dynasty. In the Preface to his monograph on Genoa, Bent thanks “the Contessa C. di Langosco (née Gresley, 1809-1886), for… valuable assistance in aiding my research” (Genoa, how the Republic rose and fell, London, 1881, p.vi). note 1 

The cover of “A Week on Wheels in East Anglia”, Nigel Gresley’s 1896 account. The bearded Bent is the gent on the left; possibly his own sketch. (private collection)

Jerome K. Jerome published Three Men in a Boat (To Say Nothing of the Dog) in 1889, and N. Walsingham Gresley peddled after the former, alas without the critical acclaim (and justly so), with his A Week on Wheels in East Anglia: Dedicated to the Cyclists of Dursley, a mere seven years later – you can spot the similarities, only for three men, change to two, and boat becomes bike… there is no dog, of course…never was.

 
“A Week on Wheels in East Anglia: Dedicated to the Cyclists of Dursley”

Note 1: In fact the Bents and Gresleys had ancestors in common and are distantly, if not tenuously, related. Michael Heathcote of Buxton in the late 18th century had two children, John and Elizabeth. John married Anne Gresley (b.1755), known as ‘Graceful Gresley’  “from her fine minuet dancing” in 1780 (Falcomer madan, The Gresleys of Drakelowe, 1899, p.112). Elizabeth married Theodore Bent’s great-uncle, the celebrated physician James Justin Bent (1739-1812) in 1776 and shared her husband’s great estate at Basford Hall, near Newcastle-under-Lyme. James Justin was the surgeon who amputated Josiah Wedgewood’s leg in 1768.
Return from Note 1

In and out (just about) of the Wadi Hadramawt – Mabel of Arabia

In and out (just about) of the Wadi Hadramawt – Mabel of Arabia

Shibam – “Manhattan of the Desert”, host to the Bents in early 1894 (wikipedia).

A recent Aljazeera feature on the mud-castle skyscrapers of the Hadramawt diverts and transports instantaneously.  These castles strung along Yemen’s Wadi Hadramawt, bewildering CGI confections all, still miraculously exist – at risk equally from age-old threats of internecine wars, and new ones, such as mud-dissolving floods, initiated by climate change.

But if we want, we can fade to sepia and go back and look at these castles through the eyes of cavalier Victorian travellers of the 1890s:

Mabel Bent’s own photo of the mud-castles of Shibam in the Wadi Hadramawt (1894).

“… the only possible way of making explorations in Arabia is to take it piecemeal… by degrees to make a complete map by patching together the results of a number of isolated expeditions. Indeed, this is the only satisfactory way of seeing any country.” (writes Mabel Bent in 1900)

Hands up then if you’ve heard of Theodore and Mabel Bent (1852-1897 and 1847-1929 respectively)? Ok – a couple of you. Chances are you met them in the Greek Cyclades, right? – over a copy of Bent’s great 1885 guide to the islands (by the way, still the best English introduction to them).

But these Victorians travelled further, much further. For instance? – well, e.g., they were paid by Cecil Rhodes in 1891 to explore the remains of Great Zimbabwe; they also rode, south–north, the length of Iran in 1889; and trekked the Ethiopian highlands in 1893; etc., etc…

Bent’s own map from ‘Expedition to the Hadramut’. The ‘Geographical Journal’, Vol. 4 (4) (Oct), 315-31 (private collection).

Perhaps, though, their greatest folie à deux comprised the three attempts they made on the Wadi Hadramawt, in the Yemen, ‘Arabia Felix’, between 1894 and 1897. Where? Picture Aden on a map, wiggle your finger east along the coast for a few centimetres, move the same finger inland, northish, for a couple more, and you about have it – in all, 200 km or so of the most spectacular valley-landscape you will ever see.

The formidable Mabel Virginia Anna Bent, a detail from a society portrait (1890s?).

But of course you would be mad to try (check out the UK Foreign Office’s latest advice). Yemen is dangerous – in 1894 as now. In all probability, Mabel Bent, red-haired and no-nonsense, was the first western woman, voluntarily at least, ever to ride from the port of Mokulla up and into the Wadi Hadramawt, with its oases and fabulous cities of mud towers. An extraordinary adventure for an aristocratic Irishwoman, of the trout-brown Slaney River, Co. Wexford. (Theodore’s objectives for the expedition are beyond the scope of these short paragraphs, but they had something to do with the Queen of Sheba. Suffice it to say… his last trip killed him – Mabel got him home alive, somehow, in May 1897, to their house near London’s Marble Arch, where he shivered to death a few days later of malarial complications. He was 45, his wife was 50.)

Mabel’s diaries (she called them her ‘Chronicles’) have all been published (except for a missing volume – her trip to Ethiopia in early 1893). Here she is on her way east, to ‘the castle of the Sultan of Shibahm at Al Koton’ (al-Qatn); she took the photo you see here too.

This portrait of Theodore must have been one of Mabel’s favourites; she chose it for the frontispiece of her tribute volume to him, “Southern Arabia” (1900).

Friday, 12th January 1894: “[Theodore and I] still proceed among limestone cliffs along the wadis … Our journey was seven hours, always along the valley, more like a plain it was so wide. We intended to go on to Al Khatan, where the Sultan of Shibahm lives, but a messenger came saying he expected to see us tomorrow and we were to encamp at Al Furuth. So when we reached that place, where there is a very beautiful well, shaded by palms and with four oxen, two at each side, drawing up water, we set up our five tents in the smoothest part of a ploughed field. Towards evening came two viziers, gaily dressed on fine horses, to welcome us: Salem bin Ali and Salem bin Abdullah, cousins.

“[The viziers came to greet us] about 7.30 next morning. We had all stayed in bed till it was quite light and they brought two extra horses… While the camels were loaded a lot of women came to see me and I sat in a chair and took off my gloves at their request and let them hand my hands round. They asked to see my head, so then they got my hair down, dived their fingers down my collar, tried to open the front of my dress and take my boots off and turned up my gaiters…

Mabel’s photo of Al-Hajarayn (Wadi Dawan), western Hadramawt (1894).

“We principal personages set out, leaving camels, etc., to follow… in ½ hour we arrived and were delighted with the appearance of this town of towers in the morning light, and the tallest, whitest and most decorated, shining against the precipitous mountains, was pointed out as our future home, and we all wondered what should next befall us and whether this was the farthest point of our journey or if we could get onward…” [The Travel Chronicles of Mabel Bent, Vol 3, Arabia, p.165 ff]

“The castle of Al Koton rears its battlemented towers.” Mabel Bent’s own photo (1894) of Al Qatn in the Wadi Hadramawt.

A few years later, after Theodore’s death, Mabel writes up the same event in her tribute book to her husband – Southern Arabia: “Like a fairy palace of the Arabian Nights, white as a wedding cake, and with as many battlements and pinnacles, with its windows painted red, the colour being made from red sandstone, and its balustrades decorated with the inevitable chevron pattern, the castle of Al Koton rears its battlemented towers above the neighbouring brown houses and expanse of palm groves; behind it rise the steep red rocks of the encircling mountains, the whole forming a scene of Oriental beauty difficult to describe in words. This lovely building, shining in the morning light against the dark precipitous mountains, was pointed out to us as our future abode.” (Southern Arabia, 1900, p. 111)

Cover photograph © Jane Taylor (Shibam, Wadi Hadramawt, Yemen).

 

 

There we have it then, not Ludwig of Bavaria, but Mabel of Arabia, and the fantasy castles she wondered at some 130 years ago, and still, miraculously, standing.

Available from Archaeopress and other sources.

 

Coda: “This war has to end” said President Biden the other day (Feb 2021), and “we’re ending all American support for offensive operations in the war in Yemen”. What will this mean and how can it end? Theodore and Mabel Bent were travelling in this extraordinary region in the 1890s, as a recent post in writer Jen Barclay’s blog outlines…

 

And in 1893, Abyssinia’s Aksum (with its obelisks) and the ‘Lioness of Gobedra’ enticed them too…   

‘The Lioness of Gobedra’, near Aksum (wikipedia).

Perhaps to most readers, the Bents are associated mostly with Greece and the Eastern Mediterranean, especially the Cyclades (based on their bestseller on the region published in 1885).

Possibly Theodore Bent kneeling by that symbol of Ethiopia – the lion – during the explorer’s 1893 visit to Gobedra. A plate from Bent’s ‘The Sacred City of the Ethiopians’ (1893, page 195), based on a photograph by Mabel Bent.

But Theodore and Mabel are remembered too, by those with time to explore the explorers, for their expeditions to Southern Arabia and Persia (including their astonishing ride, south-north, the length of Iran in 1889), and Africa (a dangerous trek down the west coast of the Red Sea in 1896; and extraordinary work for Cecil Rhodes at ‘Great Zimbabwe’ in 1891).

And in 1893, Abyssinia’s Aksum enticed them too, not to mention the mythical ‘Lioness of Gobedra’.

Aksum’s ‘stele 2’, photographed in 1893 by Mabel Bent in situ (Bent, ‘The Sacred City of the Ethiopians’, 1893, page 187).

It’s no secret that the BBC’s World Service is full of secrets – waiting for adventurers to discover: adventurers like Theodore Bent. In its treasure of a series, ‘The Forum’  (December 2020) there is an episode on the enigmatic stelae of Aksum – erstwhile capital of an Abyssinian region dated to some 2000 years ago, and frantically explored by Bent and his wife in 1893. The fact that the Bents are not referenced, however, is a notable omission, especially since the nearby and important site of Yeha was first identified by Bent.

 
‘King Ezana’s Stela’ at Aksum, photographed by Mabel Bent in 1893 (from Bent’s ‘The Sacred City of the Ethiopians’, 1893, between pages 184-5).

The episode does refer to Aksum’s ‘stele 2’, removed by Mussolini for Rome in the manner of former despots and now happily returned, but not that it was actually photographed some 50 years earlier in situ by Mabel Bent and reproduced in their most readable adventure – ‘The Sacred City of the Ethiopians’. Despite this, the programme (with contributions by Niall Finneran, Solomon Woldekiros and Felege-Selam Solomon Yirga) is a must, as is the Bents’ account, easily findable for free on-line.

 

For an update on the famous standing Aksum monolith, see Theodore and Mabel Bent in Ethiopia/Aksum: January – March 1893.

For more on the Bents in Africa, see The Travel Chronicles of Mabel Bent, Vol. 2

Christopher J. F. A. Struve and Mabel Bent’s grandmother: a long, long way for a plate of butter

Our recent post (13 Oct 2020) on the hundreds of items in the British Museum collected by Theodore and Mabel Bent, was ultimately about things – their contexts, consequences, associations, the meanings of value…

It will probably come as no surprise that Mabel Bent’s paternal grandmother, Elizabeth Hall Dare (née Grafton, 1793-1858), also had a great many things (the wider family units being landowners in Essex and with interests in the sugar plantations of British Guyana)… including, it seems, a towel, a drinking-horn, a bell, a thermometer, and, oh yes, a quantity of butter, two and half pounds in weight in actual fact.

The Old Bailey, London (wikipedia).

Oddly, let’s move at this point to that lowering fortress of justice, the Old Bailey in London in 1840, as recorded in The Weekly Dispatch (page 507) of Sunday, 25 October, with reference to a petty case that was tried on the 19th of that month and year.

We read in the said tabloid, obiter dicta: “Christopher Johann Frederick Auguste Struve, described as a dealer, was… indicted for burglariously entering the dwelling house of Mrs. Elizabeth Hall Dare, and stealing therefrom a towel, a drinking-horn, a bell, a quantity of butter, and various other articles. Mary Humby, servant to the prosecutrix, a widow lady, residing on Streatham-common, stated that on the night of the 11th of September [1840] she fastened the doors and windows previous to retiring to bed. She left the larder-window open, but secured before it an iron grating, which, on the following morning, between five and six o’clock, she found broken down, and a number of articles, named in the indictment, were taken away; there was also a thermometer taken from the side of the window.

Masthead of the “Weekly Dispatch” for Sunday, 25 October 1840 (The British Library).

We need more evidence, clearly, and the verdict – although it rather seems an open-and-shut case, doesn’t it? The Weekly Dispatch obliges: “Inspector Campbell stated that on the 15th of September he went to the prisoner’s lodgings, and on searching his room discovered various property, and amongst it all the articles stolen from Mrs. Dare’s. Eleanor Evans said the prisoner had occupied a room in her house for about a month previous to his being taken into custody. He always locked his door when he went out, so that nobody had access to it. When called upon for his defence the prisoner said he purchased all the articles sworn to by the witnesses of a person in the street. The Recorder having summed up the evidence, the Jury returned a verdict of Guilty. The Recorder told the prisoner that he appeared to be an experienced and systematic robber. He had been convicted of two burglaries committed within three or four days of each other. It was quite impossible that he could be allowed to remain in the country. The sentence of the Court, therefore, was that he be transported beyond the seas for the space of ten years.

Fashionable Streatham Hill (Sutton & Croydon Guardian).

For the location of the house concerned, we refer you at this point to our second source for this abominable crime perpetrated on Elizabeth Hall Dare, Mabel Bent’s grandmother, i.e. the Central Criminal Court, Minutes of Evidence (1840, Vol 12, p. 1059), which informs us that the property was in South London’s fashionable Streatham parish, an enclave of well-heeled souls in Victorian times.

Title page of “Central Criminal Court, Minutes of Evidence”, Volume 12, 1840 (via Google Books).

The facts and characters of the case are a cross between Tom Jones and  Much Ado About Nothing. It is worth extensively quoting, if for nothing more than a reprise of ‘burglarously’ – a word it’s doubtful you will encounter three times in your life, and for the true value of things:

Christopher Johann Frederick Auguste Struve was again indicted for burglarously breaking and entering the dwelling house of Elizabeth Grafton Hall Dare, at Streatham, about twelve o’clock in the night of the 11th September, with intent to steal, and stealing therein, 1 towel, value 1s.; 2½ lbs. weight of butter, value 2s.; 1 bell, value 5s.; 1 butter-mould, value 6d.; 1 plate, value 1d.; and 1 cup, value 6d.; her property.

Hard to believe… but true. A Victorian butter dish (one of several examples online).

Mary Hamby: I am single, and am cook to Mrs. Elizabeth Grafton Hall Dare, widow, of Streatham Common, in the parish of Streatham. On the night of the 11th of September the larder window was open, but there was a wire-guard inside before it, which must be broken to get at anything. I saw it safe a little after ten o’clock – it opens into the garden – the grating was secured by four large nails – the next morning I went down into the larder before six o’clock, and found the wire pushed quite round behind a milk pan, to prevent it going back to its place. I missed the articles stated. A person could get through the wire place – he had then opened a door out of the larder, and taken a white jug, bell, and drinking-horn – I lost a thermometer from outside the window.

Prisoner: I bought these things of a man in the street.

Eleanor Evans: I am the wife of John Evans and live in Church-street Minories. The prisoner lived with us four weeks and three days until he was apprehended – the policeman came to me, and I showed him his room – they found this jug, the bell and other articles there – nobody but him could have put them there, as the door was locked – I did not see the articles there till they were found – I had missed him two or three days before that, but did not know he was in custody.

Samson Darkin Campbell: I am a police-inspector, of the V division. On the 15th of September I went with Pitcher to No. 51, Church-street. Evans showed me a room, and I found this towel, with the name of Hall Dare on it, a thermometer, a butter-strainer, two files, a pair of pliers, and some skeleton-keys, some of them unfinished.

Thomas Pitcher (police-constable P 167.) I accompanied Campbell, and found these articles in the room – the prisoner was in custody at the time. (Property produced and sworn to.) 

“GUILTY. Aged 41. Transported for Ten Years.” (‘Central Criminal Court, Minutes of Evidence’, Vol. 12, 1840, p. 1059)

The unfurled “David Clarke”; she transported Struve to Tasmania in 1841 (www.gouldgenealogy.com).

Researches are continuing into the life of Christopher Struve -could he have been a black sheep in the noble Struve family we can read about online? His convict records inform us simply that he was 41, married to Maria, had two girls, and was a Lutheran. We are still researching, too, exactly where in London’s fashionable Streatham it was that  Christopher Struve decided to enter and remove therefrom a towel, a drinking-horn, a bell, a thermometer; and a quantity of butter – the most expensive thing in his swag, worth over £10 in today’s money. Wherever it was, it was a long way from Van Diemen’s Land (Tasmania), something Christopher Struve wasn’t when he arrived in Hobart on 4 October 1841, transported in the yare David Clarke with 308 or so other men, one of whom (John Timbers, 19) died on the journey.

Tasmania/Van Diemen’s Land (wikipedia).

Probably in some form of restraint, it is unlikely that Struve met with the captain, William B. Mills, or saw that much of the Sound when they sailed from Plymouth on 7 June 1841 on that four-month voyage to Tasmania’s prison colony. Unloading her human cargo, the David Clarke sailed away again “for Bombay in ballast on 17 October 1841”; Christopher Struve remained, and we can imagine him coming ashore, almost exactly a year after his trial, contemplating the true value of a towel, a drinking-horn, a bell, a thermometer; all in all, it was a long, long way to come for a plate of butter.

We don’t know where these things are now, but they are not in the British Museum with the collections of Theodore and Mabel Bent.

For Mabel Bent’s diaries, see The Travel Chronicles of Mrs J Theodore Bent (Archaeopress, Oxford)

 

The Bents and the British Museum: in Five Objects

The Bents and the British Museum: in Five Objects

The British Museum, London (wikipedia).

On 24 April 1885, British explorer Theodore Bent wrote from Syros in the Cyclades to Charles Thomas Newton, famous traveller himself and now Keeper of the Department of Greek and Roman Antiquities at the British Museum (BM): “We returned from Karpathos yesterday and had hoped to catch a steamer which would have brought us and our things straight to England. Unfortunately we shall have to wait a week at least, and as we have so much plunder we cannot take the Marseilles route. I had hoped to have been in time for the Hellenic meeting, but of course now we shall not reach England till the middle of May. We were fairly successful in Karpathos, finding a large number of rock cut graves unopened which have produced pottery, etc., which, if not of the highest order, offer a good deal which I believe to be of a new character… Of quaint manners and customs I have got a fine collection, also of old Karpathiote dresses and jewelry… We had rather a rough time of it, Karpathos being very far behind the world in comforts, and decidedly we enjoyed ourselves best when living in our own tent. Mrs. Bent survives and is well and begs her kind regards. Yours very truly, J. Theodore Bent.” (Mabel Bent 2006: 123, fn. 74)

(The Bents’ trip to the Dodecanese in 1885 was probably contributed to by the BM, and significant finds from there are now in London.)

To draw attention to, and thank  the BM for their great and newly re-vamped online database, and make a nod to Neil MacGregor’s seminal TV/radio series, and subsequent exhibition, at the same time, the Bent Archive is selecting four significant objects to feature from the several hundreds of items (752, no less, the BM claim, though some are duplicated) either donated to or sold by Theodore and Mabel Bent to the Museum over a period of five decades or so from the 1880s, beginning with the artifacts Bent brought home from the Cycladic island of Antiparos, then an almost abandoned islet, today a hipster destination for some of Europe’s silliest teenagers; the Bents would be amused. The fifth item, as we shall see, is one that got away… but it should be there.

The expeditions
The expeditions of Theodore & Mabel Bent, 1883-1897 (© Glyn Griffiths and the Bent Archive)

For about twenty years, Theodore and Mabel Bent travelled to regions in the Eastern Mediterranean, Africa, and Arabia, on the look out for things of archaeological and ethnographical interest (usually linked to Theodore’s current bonnet-bees and theories). Occasionally the British Museum contributed to the Bents’ travel costs on the understanding that the institution would get first refusal. We know that the museum also paid Theodore for certain acquisitions, but there were also donations from the Bents – in particular the large assemblage given by Mabel in 1926, a few years before her death (Theodore, alas, died early, in 1897).

The Museum’s archives (and elsewhere) contain much correspondence between Bent and their various curators and associated scholars, such as William Paton, E. L. Hicks, David Hogarth, Sir William Mitchell Ramsay, Charles Newton, Arthur Smith, Alexander Stuart Murray, Cecil Smith, William Henry Flower …

Good examples of these interactions include a letter from Theodore  to the Keeper at the British Museum, dated 30 May 1884: “Dear Sir, Do you care to make me an offer for my figures, vases, ornaments, etc., from Antiparos? It occurs to me that a collection of this nature is rather lost in private hands. Yrs truly, J. Theodore Bent.” (Mabel Bent 2006: 46, fn. 49)

BM inventory record Af1892,0714.144, for a necklace made of plaited vegetable fibre, from Bent’s Mashonaland year (1891) (© The British Museum).

The BM archives also include the Museum’s day books and accession registers, fascinating records that bring you closer to collector and curator, in contexts of mutual scholarship, curiosity, and wonder.

This is not the place to comment on the history of the Museum, collectors’ activities, or the acquisition policies current in the late 19th century. You will have your own thoughts and opinions.

The objects collected by the Bents are featured below, in a sort of virtual ‘The Bents at the BM’ mini-exhibition, by the date they were acquired by the Museum, and representing the main regions of the Bents’ fields of studies, as already mentioned – the Eastern Mediterranean, Africa, and Arabia, over a period twenty years following their marriage in 1877. In most cases the BM item number consists in part of the year the piece was acquired from the Bents, i.e. Af1892,0714.144, denotes 1892 – in this instance when Theodore and Mabel returned out of Africa.

Thus, without further ado… “The Bents and the BM: in Five Objects”

Let’s make a start in the Greek Cyclades – the scene of Theodore’s first (1883/4) substantial ‘excavations’ (although his modus operandi bears little resemblance to the science of today and raises eyebrows, if not ire, still among archaeologists).

[Basic inventory details are provided, but there seems little point in repeating the detailed information on the artefacts given by the Museum, click through yourself to access it if you wish. We thought however that readers might like to get a little detail on the objects provided by the Bents themselves, either via Mabel’s diaries (her Chronicles), or Theodore’s publications.]
1884,1213.14. Marble figure from Antiparos,  2700 BC-2500 BC  (© The British Museum).
[Cultured female voice, slow, musical, dark, clear] “Object No. 1: Parian marble figure from Antiparos in the Greek Cyclades,  2700 BC-2500 BC“. The Cyclades provided Theodore Bent with his first theatre of operations and he ‘excavated’ at two sites on Antiparos, off Paros, in the winter of 1883/4. He brought home with him, and then sold to the BM, a largish assemblage of items, including a few of the iconic, now ubiquitous, and haunting, marble figurines. (There was skeletal material, too, now in the Natural History Museum.) Bent’s work on Antiparos paved the way for the realization that there was a distinct ‘Cycladic’ culture. Here is Mabel Bent’s diary entry at the time of their first dig: “Tuesday [18 December 1883]. Rode 1½ hour to the nearest point to Antiparos carrying only our night things and a card of introduction from Mr. Binney for Mr. R. Swan who has a calamine mine on this island. Crossed in about 10 minutes… Met Mr. Swan who more than fulfilled our warmest hopes. He took us to his house, and after resting told us that in making a road he had come upon a lot of graves and found a marble cup, broken etc. So, we manifesting a great wish to dig too, he got men and we opened 4. They were lined and paved with slabs of stone and the people must have been doubled up in them, they were so small; we only found, besides bones, 2 very rough marble symbols of men and women, little flat things and some broken pottery.” (Mabel Bent 2006: 21ff.)

1886,0310.1. Limestone female figure from the Greek island of Karpathos. Neolithic? (© The British Museum).
[Cultured female voice, slow, musical, dark, clear] “Object No. 2: Limestone female figure from the Greek island of Karpathos. Possibly Neolithic.” The Bents spent several of the early months of 1885 in the island group now known as the Dodecanese, then Turkish, in the Eastern Mediterranean. Mabel refers to them as the ‘Sporades’. On Karpathos the couple acquire an extraordinary stone figure without parallel in Greece to this day, and she found her way to the British Museum in 1886. She was presumably intact when she left the island; she is now in two halves but has been restored. Recently (2019) she was an extra, a stand-in, for the BM’s travelling exhibition linked to Neil MacGregor’s TV/radio series. Alas she never made a starring role in the English series; she would thus have returned the favour to the Bents, making them minor celebrities once more. But she would also have raised questions as to her pedigree best left in her boudoir. Are those arms not highly problematic?  The BM may have assumed that she came from a tomb around Vrykounda in the north of the island, although elsewhere Theodore links it to Pigadia and Mabel’s diary seems to confirm this; what is for certain is that she is both fantastic and fantastical and deserves more study – if not a series of novels! “[Monday, 20 April 1885] The next excitement was getting the things at Pegadhia [Pigadia, Karpathos]… Manthaios [the Bents’ dragoman] set off to run to the house where was a very hideous statue, more than the size of a baby, half a mile off… At last I saw M tearing back with the burden on his shoulders and very soon they reached the ship and all was on board… When M appeared, Theodore could see that the statue showed behind and told him so, but he said ‘No matter’ and rushed on to the boat and then came back to say goodbye to the Turks. T saw them spot the statue and whisper together and shrug their shoulders, so now we are in possession of the most hideous thing ever made by human hands. We mean to deposit it in bond at the customhouse of Syra with all the cases and things we do not want…” (Mabel Bent 2006: 119ff.) [For an excellent and extended description of the figure, see E. Melas, The Islands of Karpathos, Saros and Kasos in the Neolithic and Bronze Ages, unpublished PhD thesis, Bedford College, University of London, 1981, pp.268-271]
CRS.73. Cast; sculpture, made of plaster; in form of a bird sitting on top of a pedestal. Late 19th-early 20th-century copy of medieval? African original (© The British Museum).
[Cultured female voice, slow, musical, dark, clear] “Object No. 3: Cast; sculpture, made of plaster; in form of a bird sitting on top of a pedestal. Late 19th-early 20th century copy of medieval? African original.” When Greek and Turkish lands became too tricky for the Bents to wander and wonder over, they set off in other directions, south and southeast. In 1889 they were to be found digging in the ‘Mounds of Ali‘ in Bahrain, before returning to London via a south-north ride the length of Persia. At the end of 1890, Bent came under the inescapable gravitational pull of Cecil Rhodes, and by the summer of 1891 he and Mabel were thousands of miles away south, exploring the fabled ruins of ‘Great Zimbabwe‘, from where they shipped hundreds of artifacts back to London, mounting an exhibition of the choicest things in their home near Marble Arch in early 1892. Included were a few of the iconic black soapstone birds which would grace any museum, anywhere. Rhodes had other plans for the best items, however, and he had maintained rights to them; after the exhibition they were repackaged and sent to him in Cape Town. Some of the things, especially the mesmerizing, totemic birds, he took immediately to his house at Groote Schuur, but they later flew to museums in South Africa and Zimbabwe.  It seems the Bents, or the BM, had casts made of one or more of the original soapstone ‘beams’ on which the elegant birds perched, and Mabel kept it before giving it to the BM again in 1926, in all likelihood. The original is now back in Africa, and although just a cast, the artifact is unique and significant enough to merit a place in this assemblage now.  The Bents’ Great-Zimbabwe-tour finds  (largely ethnographic) represent the largest element of the collections they sold or gave to the BM, literally hundreds of things now in store, as much bric-à-brac as anything else. Mabel waxes lyrical on first seeing one of these beams: “[Friday, 5 June 1891]. After breakfast we hurried to Zimbáboe as they pronounce it, also Zimbágowe. I rode Beauty [her horse] with a trooper’s saddle, as my saddle was packed. I was glad to get dry through the dewy grass, which came high above the top of my parasol. We left two wagons to follow. First we climbed up the hill, or rather the principal hill near, full in every cranny and on every detached rock, of huts and a large quantity of people. There are ruins all over the top; all the ends of the walls are rounded, both up on the hill and down in the round ruin. I mean to abstain from a description of the ruins, for they will be described elsewhere when we have worked at them a little. Our souls were gladdened by some long stones carved over and one with a strange bird at the end…” (Mabel Bent 2012: 85)

Af1893,1112.1. Painting of the Crucifixion of Jesus Christ and scenes from the life of Bishop Selama. Ethiopia, Adwa: Church of the Saviour of the World. Late 19th. cent. copy ? (© The British Museum).
[Cultured female voice, slow, musical, dark, clear] “Object No. 4:  Painting depicting the Crucifixion of Jesus Christ and scenes from the life of Bishop Selama. Painted on cotton, hand-woven in two sections, stitched together centrally top to bottom. Ethiopia, Adwa: Church of the Saviour of the World. 19th. c. copy ?” In London once more, via Lisbon, from Mashonaland and South Africa, in early February 1892, Theodore was a minor celebrity. He had come home with crates of finds from ‘Great Zimbabwe’ and a theory that no one for the moment could gainsay about prehistoric Southern Arabian influence, trade and power. Research by Theodore in London and in the Lisbon archives, and correspondence on inscriptions and possible architectural similarities between features in Mashonaland and Marib (Yemen), introduced Theodore to the little-explored interior of Ethiopia, and its evocative ‘capital’ Aksum (Axum).

(For a detailed study of this unique piece, see ‘The image revealed: study and conservation of a mid-nineteenth-century Ethiopian church painting’, by Heidi Cutts, Lynne Harrison, Catherine Higgitt and Pippa Cruickshank, in The British Museum Technical Research Bulletin, Vol. 4, 2010: 1-17.)

‘The Church of the Saviour of the World, Adowa’. Sketch by Theodore Bent. ‘The Illustrated London News’, 6 May 1893, p.556 (The Bent Archive).

The Bents’ 1883 tour of the region was ultimately unsuccessful due to local unrest, exacerbated by the colonial ambitions of the Italians. By far the most interesting of the artifacts Bent brought back was this large painting of the Crucifixion, he bought for ‘Ten pieces of silver’ from the Church of the Saviour of the World, Adwa. Bent describes the transaction in the book  that resulted from the journey:  “It was here… that I espied a picture cast on one side, for the colours were somewhat faded, which I faintly hoped to acquire. At first our offers were received with contempt, but again and again we sent our interpreter, and with him ten pieces of silver, the sight of which eventually overcame the priest’s dread of mutilation, and the evening before our final departure from Adoua the picture was ours. Our interpreter himself was terrified at what he had done, ‘We must not breathe a word of the transaction, even to the Italians,’ he said ; ‘we must bury the treasure at the bottom of our deepest bag ‘ ; and to all these regulations we gladly acquiesced, for we knew the great difficulty of acquiring these things in Abyssinia, and the danger to which we all should be exposed if our transaction should be discovered, and I am pretty nearly sure that this picture which is now in the British Museum is the first of its kind which has reached Europe…” (The Sacred City of the Ethiopians, 1893, pp. 129-33)

[Cultured female voice, slow, musical, dark, clear] “Object No. 5: A pottery stamp/clay seal from the Wadi Hadramaut, Yemen, aka ‘The Bethel Seal’? Used presumably by a merchant for designating ownership, or contents, of traded merchandise. Date uncertain.” It must be quickly said that this is a deceit; it is a mystery object that should have been given by Mabel with a few other artifacts from the Wadi Hadramaut (Yemen) in 1926, but was not, and thereby hangs a tale worth the telling.

The Bents are admired for their three attempts to traverse the dangerous Wadi Hadramaut in the Yemen, from west to east and down to the Gulf of Aden, from 1894-7. The final trip cost Theodore his life. The couple were travelling on horses and camels and were restricted in what they could bring away with them and the largest collection consisted of hundreds of botanical specimens, reasonably light, now in the Herbarium, Kew.

Mabel has left us in her diary some idea as to how acquisitions were made along the way: “On Saturday the 13th [January 1894], the day after our arrival, at 8 o’clock, the Sultan, Theodore, Saleh and a groom on the four horses, and I on [my horse] Basha, and a vizier on a camel with a soldier, and the soldiers on foot, rode about five miles to a good old ruin (Al Gran), but embedded in an inhabited house so that excavation would be impossible; from a very well cut scrap of ornament we thought it to be a temple, and it is perhaps from this temple that a kind of small stone trough has been brought, with a dedication, rather long, in Sabean, which Theodore has nearly deciphered – a trough with a spout coming to England. Two stones have been brought us by camels at the Sultan’s orders.” (Mabel Bent 2010: 167)

The Bents returned in 1894 from the Hadramaut with the modest lump of clay – the stamp/seal in question. It featured with a small collection of other items on page 436 of the Bents’ great book on Southern Arabia (1900), including the ‘trough’ Mabel mentions above. Then, rather like a great ring, the seal disappeared from view – until it reappeared in an archaeologist’s shovel in the late 1950s at a site at Beitin, Biblical Bethel, Palestine, and the scene of Mabel Bent’s accident in the early 1900s, when she broke a leg in the wilderness, riding, unaccountably, on her own.

But was it the same modest lump of clay, or another, identical artifact? Today it (or both?) is/are lost, and a debate has waxed and waned over the mystery ever since. A strong argument is made that Mabel, distressed, widowed, mourning her late husband and her lost life as an explorer, ceremoniously placed the stamp in a deposit at Bethel in the early 1900s as a tribute to Theodore – not caring if it were ever found again or not – the significance of the site being that it marked the end of a frankincense route (the resin being one of his passions) that began thousands of miles away in the Wadi Hadramaut – and thus Theodore could rest easily, his journey over; the love of a grieving widow.

For a scholarly overview of the seal in context, see ‘Arabian and Arabizing Epigraphic Finds from the Iron Age Southern Levant’, by Pieter Gert Van Der Veen with François Bron, in J.M. Tebes (ed.) Unearthing The Wilderness: Studies on the History and Archaeology of the Negev and Edom in the Iron Age: 203-226. Leuven: Peters.

As a coda, perhaps the Bents’ acquisitions no longer quite justify the hyperbole appearing in Mabel’s interview to The Hearth and Home (2 November 1893) before leaving for Arabia: “Gifted with great artistic taste, Mrs. Bent’s personal collection of curiosities include many beautiful things brought from abroad, and, as our readers are doubtless aware, ‘The Bent Collection’ in the British Museum is one of the most interesting in that venerable building.”

But you should go and decide for yourself…

References: Mabel Bent 2006, 2010, 2012 = The Travel Chronicles of Mrs J Theodore Bent, vols 1-3, Archaeopress, Oxford.

Other finds: Very much smaller collections of the Bents’ acquisitions can be found in: the V&A, London; the Pitt Rivers Museum, Oxford; as well as in Cape Town, Harare, Istanbul, and elsewhere.

Don’t overlook, too, the wonderful, though small, collection of dried plants in the Herbarium, Kew Gardens. Most of the specimens were collected by Kew’s William Lunt, who travelled to the Hadramaut with the Bents in 1894, but there is some additional material from their later expeditions. Kew’s super online catalogue (with some illustrations) makes a great start.

It should also be remembered that in the late 19th century London’s Natural History Museum legally remained a department of the British Museum with the formal name ‘British Museum (Natural History)’. Thus the select assemblage of molluscs, insects and reptiles the Bents collected was gradually transferred to their care, e.g. we know that Mabel presented her collection of 186 “land and freshwater shells from the island of Socotra, including several new species”. (For publications on the shells, see, e.g. J.C. Melvill, Journal of Molluscan Studies, Vol. 1, Issue 5, 224-5; for some of the Bents’ shells in the NHM, click here). [For an article on new botanical and zoological species discovered by the Bents, click here].

Very importantly, the skeletal material Bent removed from two sites on Cycladic Antiparos in 1884, believed lost but now rediscovered, is stored in the National History Museum, awaiting further study.

(In 1926, a few years before she died (1929), Mabel had a sort out of the things she still treasured in her London home. This explains why many of the inventory numbers in the above museums have a 1926 date.)

 

Mabel Bent: A rare photograph attributed

Mabel Bent: A rare photograph attributed

One of those things that itches has just been scratched.

The unattributed portrait of Mabel Bent appearing on page 61 of her husband’s notorious book ‘The Ruined Cities of Mashonaland’ (1892). It also features in the Irish periodical ‘The Lady of the House’, 15 September 1893, p. 19 and 14 July 1894, p. 4.

Theodore Bent’s ground-breaking monograph on Mashonaland – The Ruined Cities of Mashonaland (1892) – the volume that appeared following the year (1891) spent in ‘Rhodesia’ investigating the ruins of ‘Great Zimbabwe’ for Cecil Rhodes, and the work that was in effect to make Bent’s name, and him and his wife minor celebrities on both sides of the Atlantic, contains a charming portrait (page 61) of Mabel Bent – really charming actually, although adapted from the original photograph via the processes in those days required for printing; the image, however, has no attribution.

Charm? Yes, and obvious, in the professional lighting and a lightness of touch, almost modelling; and Mabel’s wild, long red hair (that famously captivated the villagers of Mashonaland (page 271)) is tamed, just, and her embonpoint sealed with an ‘M’; her dress is picturesque. It is a society portrait (we are talking London in the 1890s here), by a society photographer – but which one? This is the itch that needs scratching.

Celebrated society photographer, Henry Van der Weyde (1838-1924) (wikipedia).

Then a surprise. Almost illegible, or whatever the word is for a photograph too dark to make out, the promise of a picture appears on page 621 of The Gentlewoman – The Illustrated Weekly Journal for Gentlewomen, No. 175, Vol. VII, for Saturday, November 11, 1893, within an article entitled “Gentlewomen ‘At Home’, no. CLXXV, Mrs. Theodore Bent”.  We clearly read the sitter is Mrs. Theodore Bent. And, serendipitously, the photographer is a famous one – Henry Van der Weyde (1838–1924), the Dutch-born English painter and photographer, celebrated for his photographic portraits of the great and the good in the late 19th century; his studios equally fashionable, at “183 Regent-street, W.”

Mabel Bent in obscurity, from “The Gentlewoman”, No. 175, Vol. VII, for Saturday, November 11, 1893 (after the British Library).

And there is something about the promise in this photograph – the outlines, vague suggestions in the almost ectoplasmic patches of the blacks and the whites. Surely, this photograph of Mabel Bent and the one in The Ruined Cities of Mashonaland are the same? The Bents had commissioned the colourful society photographer Henry Van der Weyde, the David Bailey of his day, hadn’t they, whose work Theodore and Mabel would show off in Bent’s bestseller ?

 

“One in two” – Behold they are the same! (© Ben Heaney 2020).

At this stage, both images go to Ben Heaney at Archaeopress, Oxford, to put Photoshop through its paces. This is his report: “To compare the two images identifiable reference points were taken – these were the neckline of the dress, the position of the earring and ear, the top of the hair and the ruffles of the dress sleeve. This allowed the images to be matched in size by lining up the reference points on separate layers in Adobe Photoshop. The higher quality image was on the top layer, the darker, poorer quality, image on the bottom layer. When the top layer was ‘faded out’ by adjusting the ‘opacity’ of the top layer, the two images clearly matched up.” (Ben Heaney, pers. comm. 21/09/2020)

Thus it can be revealed, the unattributed photograph of Mabel Bent on page 61 of The Ruined Cities of Mashonaland is based on an original by Henry Van der Weyde, the leading London portrait photographer of the period.

The itch scratched, we can let the Bents continue on their way, the E. Med. and Africa behind them, towards Arabia Felix and the last cycle of their odyssey together…

[See also the transcription of Mabel’s interview with The Gentlewoman]
 

The Bents – Great Friends of Kastellorizo

The Bents – Great Friends of Kastellorizo

Just before (Western) Easter 1888, the tireless British explorers  Theodore and Mabel Bent, on an extended cruise down the Turkish coast, had reached the small, thriving island of Kastellorizo – one more location to add to their twenty-year gazetteer; not a lot of people know that…

Wikipedia (03/09/2020) has plenty by way of introduction to this, perhaps the remotest of Greek islands one can step on via scheduled services:

Kastellorizo harbour (wikipedia).

“Kastellorizo or Castellorizo (Greek: Καστελλόριζο, romanized: Kastellórizo), officially Meyisti (Μεγίστη Megísti), a Greek island and municipality of the Dodecanese in the Eastern Mediterranean. It lies roughly 2 kilometres (1 mile) off the south coast of Turkey, about 570 km (354 mi) southeast of Athens and 125 km (78 mi) east of Rhodes, almost halfway between Rhodes and Antalya, and 280 km (170 mi) northwest of Cyprus.”

The previous year (1887), our explorers, Theodore and Mabel Bent, had been excavating way up north on Thasos, finding some important marbles (including a fine statue they were not allowed to take home), which are now in the archaeological museum in Istanbul.  Denied their rightful gains (as they saw them), and never a couple to give up easily, the pair spent a good deal of the summer and autumn of 1887 trying to drum up enough support to have these marbles rescued from the Turkish authorities and cased up for London. Letters exist from Bent to the British Museum requesting their kind interventions (it all sounds very familiar): “We have indeed been unfortunate about our treasure trove but I have hopes still. I sent to Mr. Murray [of the BM] a copy of two letters which recognize the fact that I had permission in Thasos both to dig and to remove. These I fancy had not reached Sir W[illiam] White [our man in the City, see below] when you passed through Constantinople. Seriously, the great point to me is prospective. Thasos is wonderfully rich and I have some excellent points for future work and … I am confident we could produce some excellent results.”

Osman Hamdi Bey (1842–1910) (wikipedia).

In January 1888, Theodore did receive a further grant of £50 from the Hellenic Society to return to Thasos to excavate, and the couple duly left for Istanbul. Unsurprisingly, the implacable, very capable Director of Antiquities in the Turkish capital,  Hamdi Bey, refused Bent a firman to carry out further investigations, not only on Thasos, but also implying that the Englishman was not welcome to use unauthorized picks and shovels on Turkish lands in general.

 

A friend indeed. William Arthur White (1824–1891), HM Ambassador at the Sublime Porte, but politely not prepared to assist the Bents in their piratical activities (wikipedia).

Despite various appeals to canny career diplomat, the Ambassador, Sir William White, he and Mabel were forced to change their plans. Theodore may well have been expecting this. In the Classical Review of May 1889, his friend E.L. Hicks reveals that when Bent was first digging on Thasos in 1887 he had employed a local man to “to make some excavations in the neighbourhood of Syme” (far down the Turkish coast, north of Rhodes) on his behalf. Obviously satisfied with the results, the couple, after an excursion to Bursa to see the fabled Green Mosque, decided to return to Cycladic Syros, where they chartered for about fifty days the pretty yacht Evangelistria (the Bents refer to her as “the ‘Blue Ship’ from the gaudy colour with which her sides were painted”), with “Kapitan Nikólaos Lambros” and her crew, under Greek papers; and they embark (Wednesday,  29 February  1888) on this fall-back plan that will take them with the winds and currents as far south as Levantine, if not Oriental, Kastellorizo, frozen just off the Turkish coast, as a map will show you, like a mouse under a cat’s paw.

Meanwhile Mabel, on Syros before embarking,  can be candid for her diary – they are to don pirate gear, “Theodore at once took to visiting ships to put into practice our plan of chartering a ship and becoming pirates and taking workmen to ‘ravage the coasts of Asia Minor’. Everyone says it is better to dig first and let them say Kismet after, than to ask leave of the Turks and have them spying there.” All, of course, reprehensible behaviour today. The couple also meet up here with their long-term dragoman, Manthaios Símos, who has sailed up from his home on Anafi , close to Santorini, to lend a hand.

‘Gulets’ off Bodrum (wikipedia).

Thus, on a  sort of early tourist ‘gulet’ cruise (“There is a dog called Zouroukos, who was at first terrified… and the little tortoise, Thraki”), the couple’s investigations along the Asia Minor littoral (in particular the coastline opposite Rhodes) turned out fairly fruitful, and some of Theodore’s ‘finds’ from this expedition are now in London (see below). He briefly wrote up his discoveries of ancient Loryma, Lydae, and Myra for the Journal of Hellenic Studies (Vol. 9, 1888 – but a lengthier account was provided by E.L. Hicks (Vol. 10, 1889)), including transcriptions of over forty inscriptions and passages of text from Theodore’s own notebooks.

No doubt his notebooks were to come in handy when, a few years later, Bent is editing his well-known version of Thomas Dallam’s diary for the Hakluyt Society (1893), recounting the latter’s adventures in these same waters: ‘The 23rd [June, 1599] we  sayled by Castle Rosee, which is in litle Asia.’ (Incidentally, musical-instrument maker Dallam’s Gulliver-like exploits below the gigantic walls of Rhodes, not so very far away northish, are highly recommended.)

But back to the Bents, a popular account of the their 50-day cruise in 1888 – well worth a read for those who get off on the rugged coastline from Symi to Kastellorizo – was written by Theodore for The Cornhill Magazine, (Vol. 58 (11), 620-35), and entitled ‘A Piratical F.S.A.‘ (Bent had recently been made a Fellow of the Society of Antiquaries of London, and was indulging in shameful hubris.)

Kastellorizo harbour
The safe, not to say stunning, harbour of Kastellorizo with the Turkish coast 2km distant.

(For the rest of Bent’s articles on this coastal meander, see the year 1888 in his bibliography.)

After various adventures, the Bents reached the Kastellorizo offing on 30th March 1888. Theodore sets the scene: “Great preparations were made for the arrival of the ‘Blue Ship’ at the first civilised port she had visited since leaving Syra. One of the ‘boys’, it appeared, understood hair-cutting, and borrowed Mrs. F.S.A.’s scissors for that purpose; beards were shaved, and shaggy locks reduced with wonderful rapidity… Castellorizo was the port, and it is a unique specimen of modern Greek [sic] enterprise, being a flourishing maritime town, built on a barren islet off the south coast of Asia Minor, far from any other Greek centre – a sort of halfway halting place in the waves for vessels which trade between Alexandria and Levantine ports; it has a splendid harbour, and is a town of sailors and sponge divers.”

Half thinking of home, the Bents are in need of some fancy paperwork to ensure their acquisitions thus far are protected from the prying eyes of both Greek and Turkish customs officials. Mabel’s ‘Chronicle’ gives us a little more, beginning with a sketch of their plans:

Kastellorizo castle
The ‘red fort’, after which the island is named, so called from its appearance at sunset, proudly asserts its nationality to the Turkish town of Kaş, 2km across the strait.

“First to go to the island of Kasteloriso, where there is a Greek consul, and have a manifesto made that we came from Turkey so that the Greeks may not touch our things in Syra… Now all was preparation for this civilized place. Theodore assured himself that his collar and tie were at hand. I hung out my best Ulster coat and produced respectable gloves and shoes… We really made a very tidy party when we reached our goal… We had a calm voyage. An average time from Myra to Kasteloriso is 6 hours; we took about 26. We did not land in the regular harbour. The captain said questions would be asked as to why there were 18 people in such a boat. We landed about 8. It is a flourishing looking little town, divided by a point on which rise the ruins of a red castle. The name should be Castelrosso, but first the Greeks have made it ‘orso’ and then stuck in an ‘i’. The Genoese or Venetians made it. Kapitan Nikólaos was greeted wherever he went by friends. He did not seem anxious to be questioned much, and once when asked where he had come from gaily answered, ‘Apo to pelago!’ (from the open sea). I was delighted at this answer and so, when some women, sitting spinning on rocks, called out, ‘Welcome Kyria,’ to which I answered, ‘Well met!’ and then asked, ‘Whence have you troubled yourself?’ ‘Apo to pelago!’ I smilingly replied and swept on round a corner where we could laugh, and who more than Kapitan Nikólaos…”

The iconic ‘Lycian tomb’ on Kastellorizo (4th century BC) (from Kastellorizo.online).

There is nothing in Mabel’s diary to suggest the couple made any sort of tourist excursion around the island, not even to the famous blue caves, which is a shame. Surprisingly, too, Theodore makes no mention of perhaps the most iconic ‘snap’ on the island, the Lycian rock-cut tomb (4th century BC), unique on Greek soil.

Mission accomplished, the next we learn is that the Evangelistria has reached the ancient site of Patara on the mainland: “Yesterday morning, Good Friday [March 30th], we had a very quiet voyage hither…”

Within days, Theodore and Mabel will be casting off for Syros once more, but, after 50 days in their gulet, they have had enough of open waters and decide to return to London the long way, overland, via  Smyrna – Istanbul – Scutari – Adrianople – Plovdiv – Istanbul – Nicea – Istanbul – Odessa – Berlin. All a far cry from ‘civilised’, Levantine Kastellorizo… and one wonders of their dreams.

“Fragment of a sarcophagus: a heroic figure, perhaps Heracles, perhaps Diomedes wearing a cloak over his left shoulder. Made of Phrygian or Docimaean marble”. Acquired by Theodore Bent from ancient Lydae in 1888. Museum number: 1888,1003.4 © The Trustees of the British Museum.

“We stopped 2 nights in Berlin at the Central Hotel”, writes Mabel, “We had travelled from Saturday night to Monday night, the 14th, and nearly always through forests. We crossed from Flushing and on Thursday [17th May 1888] we safely reached home… All our marbles reached England soon after, and after spending some weeks here are housed in the British Museum.” (‘The Travel Chronicles of Mrs J. Theodore Bent’, Vol 1, Oxford, 2006, p. 260)

‘Here’ is the couple’s smart townhouse near Marble Arch, a vast magpies’ nest, with every tabletop, bookcase and cabinet showing off souvenirs from 20 years of travels in Arabia, Africa, and the Eastern Mediterranean, perhaps, too, some embroideries and large, distinctive chemise buttons (from the women Mabel chatted to on Kastellorizo), just arrived back in rough, pine crates, recently unloaded from the decks of the Evangelistria:

The distinctive chemise clips from the Kastellorizo region (from ‘An account of discoveries in Lycia, being a journal kept during a second excursion in Asia Minor’ by Sir Charles Fellows, 1841, London, J. Murray, p. 190).

“The women here all wear the dress of Kasteloriso: long full coloured cotton trousers, then the shirt fastened down the front with… large round silver buckles, and then married women wear a gown slit up to the waist at the side. The 2 front bits are often tied back as they become mere strings. Then a jacket with sleeves ending above the elbow and very long-waisted, and very low is wound a scarf. The girls do not wear the gown. They have a fez on the head and a turban round it or not…” (‘The Travel Chronicles of Mrs J. Theodore Bent’, Vol 1, Oxford, 2006, p. 246)

For more on the Bents generally in the Dodecanese, see Further Travels Among the Insular Greeks (Archaeopress, Oxford)