Articles with the theme: General

Theodore and the Tsabouna (video)

The sound of the tsabouna, or the Greek bagpipe.

The strains of music from this instrument would have been very familiar to Theodore and Mabel as they journeyed from island to island. At the time of their travels, the tsabouna (sometimes sambouna and various spellings) was still one of the most popular folk instruments for the islanders. Its prominence probably linked to some degree with the goats and sheep the islanders were raising.

Every part of the animal was used. The milk was used to produce the delicious mizithra cheese enjoyed by the Bents, while the meat formed the key element of many local dishes that we still enjoy today – even the entrails were used for the ubiquitous dish, kokoretsi, and the Easter soup, magiritsa. The wool and hide, of course, found many uses.

Maybe somebody, hundreds, or even thousands, of years ago, scratched their head searching for other uses for the goat’s inedible skin. With a gurgling, a squealing and a wailing, the tsabouna was born.

Theodore was never too adoring of the melancholy sound of the instrument. ‘that wretched Grecian substitute for the bagpipe’ he wrote on Anafi, and in Karpathos he describes it as ‘a species of bagpipe, being a goatskin with the hairs left on, which palpitates like a living body when filled with air. These instruments are romantic enough when played by shepherds on the hillside or in the village square as an accompaniment to the dance, but they are intolerable in the tiny cottages where women tread their flannel.’

Theodore Bent’s ‘sabouna’ from Karpathos in the Collection of the Pitt Rivers Museum, Oxford (1903.130.23).

Despite his apparent dislike for the tsabouna, one does wonder whether he really had a sneaking admiration for it. While in Karpathos, he acquired his own tsabouna and brought it back to England where, after his death, it eventually found its way to the Pitt Rivers Museum in Oxford. Mabel has left quick note of the instrument as they heard it in Olymbos, Greek Easter time 1885: “We then went all together to a ball in the outer room of the church. We sat in a heap of people in the middle and round the edge sat mothers, each with a babe and a string of men screwed round in the narrow space left, preceded by the sampouna, pronounced sambouna, or bagpipe…” (From Mabel Bent’s Greek Chronicles, Vol 1, 2006, page 105)

Did Theodore ever learn to play this wretched Grecian substitute for a bagpipe – we’ll never know – but it would be nice to think he at least tried!

During the 20th century the tsabouna’s popularity faded and it’s only in recent years that a small number of traditional musicians has embraced the instrument and is bringing about its revival. One of these musicians is Yannis Pantazis who crafts his own instruments and demonstrates them in his artisan workshop in Santorini. Yannis is an outstandingly versatile musician who fell in love with the tsabouna on first hearing before he even knew what it looked like. Ever since, he has devoted his life’s work to the plaintive-sounding Greek bagpipe and the other instruments in his collection such as the lyre, the panpipes and the flute as well as traditional percussion instruments. Pop in and see him if you’re in Santorini – you will undoubtedly end up ‘gigging’ with him as he demonstrates and enthusiastically talks about the history and mythology attached to each instrument.

There’s a final twist in this tale of Theodore and the tsabouna. On the 11th January 1884, he and Mabel came ashore in the south of Santorini having travelled by sail-boat from the neighbouring island of Anafi. They landed near the small church of Aghios Nikolaos, ‘a little white thing under a red rock’ wrote Mabel. Taking a rough track, after some difficulties, they finally reached the hill-top village of Akrotiri just before dusk. Eating only what they’d carried from Anafi, they slept the night in the tower of the Venetian castle.

That very tower, known as La Ponta, was the first workshop of Yannis Pantazis where he constructed and played the instrument seemingly both loved and abhorred by Theodore. Yannis had never heard of the Bents but he believes Theodore’s accounts of the tsabouna are some of the earliest records we have in modern times of the playing of the instrument.

La Ponta has cast a powerful spell over the course of the past 130 years, bringing into its orbit, two key figures, generations apart – one who experienced and documented the popularity of the tsabouna in its heyday, the other spearheading the vanguard of the renaissance of the instrument today.

One hopes Theodore would have approved! (A paperback edition of his ‘Cyclades‘ is available from Archaeopress, Oxford)

Discover more about Yannis Pantazis, his workshop and performance space

SYMPOSION by La Ponta Facebook page at https://www.facebook.com/symposionsantorini

SYMPOSION website at https://www.symposionsantorini.com

Incidentally V: Margaret Kenna, and the Bents on Anáfi in 1884 – ‘Kalamiotissa’

The fifth in Professor Margaret Kenna’s Theodore and Mabel Bent-related series of ‘incidentals’ covering the Cycladic island of Anáfi is all to do with the great monastery site at the western end of the island; that celebrated monument built on the foundations of an ancient temple that perhaps sanctified the locale where Jason and Medea sported – having landed safely in a terrible storm from Crete. But Prof Kenna will fill you in… Margaret is a retired social anthropologist from Swansea University who has been carrying out research on Anáfi, and among Anáfiot migrants in Athens, since 1966. She has written two books and many articles in English about her research: Greek Island Life: Fieldwork on Anafi (2nd edition 2017, Sean Kingston Publishing), and The Social Organisation of Exile: Greek Political Dissidents in the 1930s (2001, Routledge). A Greek translation of the second book was published in 2004 by Alexandreia Press. Many of her articles, in English and in Greek translation, can be found on the websites: academia.edu and ResearchGate. She has also written several booklets which can be found in tourist shops on the island: Anafi: a Brief Guide; Anafi: Island of Exile; The Folklore and Traditions of Anafi, and The Traditional Embroideries of Anafi. She was made an Honorary Citizen of the island in 2006.

This fifth ‘talk’ in Professor Kenna’s thyme-scented series happily coincides with one of Margaret’s regular trips to the island (early June 2018). Go search her out if you are there!

We very much hope you enjoy it and will look out for forthcoming Anáfi ‘talks’ soon on our site; by all means send in your comments to the Bent Archive!

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The Bents visit the Lower Monastery/ Temple of Apollo: earlier, and later, visitors

“On January 10th 1884, the Bents went by boat along the south coast of the island with their host, the ‘demarch’ Chalaris, and their guide Matthaios, to the Lower Monastery ‘of Kalamiotissa, on a promontory’, as Mabel writes. She does not mention the huge peak (1476 feet/ 459 metres) of Mount Kalamos above it, although Theodore does: ‘a gigantic mountain rock’ (1885: 50).

Fig. 1: Mount Kalamos, in the distance, at the eastern end of the south coast of Anafi (M. Kenna).

“A bit of dynamite fishing from rocks along the south coast took place during the boat trip. Mabel writes the initial of the person involved, Theodore tactfully says ‘one of our men’, for then, as now, dynamite fishing is illegal and extremely dangerous. In the 1960s many male villagers had missing fingers or limbs (dynamite was not mentioned to me in the explanations I was given for these injuries), and in the 1980s, two Anafiot men, a father and son, were killed while using it.

“All that Mabel says of their visit at the monastery is this: ‘The Monastery is a very curious place, built on the site and with the stones, and using much of the old building of a temple of Apollo’ (for the diary references, see Bent, M. 2006: 32-34).

“The church of the Lower Monastery and the monks’ cells are indeed built inside the ruins of an ancient temple of Apollo. The myth is that Jason and the Argonauts were caught in a storm and saved by a flash of light thrown by Apollo, revealing the island to them (one derivation of the island’s name is ‘Revelation’, a parallel to another island sacred to Apollo, Delos, a name which also means ‘to reveal’). Anafi was later a place of pilgrimage to the temple of Apollo, and to other temples built on the site, and became rich enough to have its own coinage.

Fig 2: The Lower Monastery church visible over the wall of Apollo’s temple, summer 1966 (M. Kenna).

“The Monastery is called ‘Lower’ because there is another very small one, founded in 1715, on the peak of Mount Kalamos. Until 1887 the ikon of the island’s patron saint, Panayia Kalamiotissa (the Virgin of the Reed), was housed in the Upper Monastery chapel, and it was then brought down to the Lower Monastery. The Lower Monastery had been visited by Ludwig Ross in the 1830s (probably on the same visit as the one on which he sketched the sarcophagus described in another blog entry) and a decade later the archaeologist and epigrapher Hiller von Gaertringen would not only visit the Lower Monastery (because of his interest in the temple) but also photograph it, and the Upper Monastery chapel as well. He published the Anafi inscriptions in Inscriptiones Graecae Vol XII, 3: 54-68, numbers 247-319 (referred to here as I.G.). A photocopy can be found in the museum in the village.

Fig. 3: Hiller von Gaertringen’s photo of the Lower Monastery during his visit, c. 1898.

Fig. 4: A ‘measured drawing’ by Laurits Winstrup, Danish architect, of the layout of the temple and monastery buildings. The wall in the photo above is at the top of this drawing (from Margit Bendtsen ‘Sketches and Measurings: Danish Architects in Greece, 1818:1862’. Copenhagen, 1993: 361).

“At the time of the Bents’ visit, the three monks there were mourning the death of their Abbot the previous day (how Chalaris had not heard of this is not mentioned), so the Bents did not stay long. Theodore does however mention that ‘the monastery now belongs to one at Santorin’ (1885: 50). Later events make it clear that another Abbot was appointed, and, indeed, there was one during my own time on the island (when there no monks at the Lower Monastery) who also acted as village priest. It was only after this Abbot’s death in the 1990s that the Lower and Upper Monasteries became ‘holdings’ of the Monastery of Profitis Ilias on Santorini, and renovations were carried out and other changes made.

Fig. 5: The Lower Monastery in 2016. Part of the ancient wall can just be seen bottom left (M. Kenna).

Fig. 6: Inside the Lower Monastery, showing the wall of one of the temple buildings, summer 1966 (M. Kenna).

Fig. 7: The temple building in the photo above, summer 1988 (M. Kenna).

Fig. 8: The temple building ‘secured’ by the regional archaeological service (21st Ephorate), 2015 (M. Kenna).

Fig. 9: Hiller von Gaertringen’s Greek foreman (Angelos Kosmopoulos from the Peloponnese, wearing a fustanella), in the doorway of the remaining temple building, 1898.

“Theodore refers to Apollo in the god’s manifestation as ‘Aeglites’ (‘radiant’ ‘shining’). However, Apollo on Anafi had an epithet that is unique to that location, which appears in some of inscriptions which Hiller recorded. This epithet is ‘Asgelatas’. Some scholars say this is a variant of ‘aigletes’, radiant, and others relate it to Asclepios/ Aesculapius, god of healing, son of Apollo – so would the epithet mean ‘father of Asclepios’? There are other more controversial interpretations, see ‘Apollo and the Virgin’ in History and Anthropology 2009, available on the websites: academia.edu and ResearchGate. Theodore would surely have known about this epithet as Ludwig Ross had described it (see line 3 of the text in I.G. XII, 248, below).

Fig. 10: One of the inscriptions referring to Apollo as ‘Asgelatas’ (I.G. 248, line 8).

“In the summer of 1966, Richard McNeal visited the island and discovered another such inscription, not recorded by Hiller. It is a dedication of an altar and reads, in translation, ‘To Apollo Asgelatas, on behalf of (my) son Aristogenes’. He asked me to take a photograph of it and to make a ‘squeeze’ (papier-maché impression). The Greek word ‘Asgelatas’ is in the third (last) line.

Fig. 11: The ‘Asgelatas’ altar, summer 1966 (M. Kenna).

“Another of the inscriptions recorded by Hiller refers to celebrating the rituals of the ‘Asgelaia’

Fig. 12: An inscription recorded by Hiller, mentioning the ‘Asgelaia’. I.G. 249, line 22.

“And what they were, we don’t really know – although they could be an occasion at which men and women traded insults, repeating what is said to have taken place on Anafi when Jason and the Argonauts were insulted by Medea and her women. The women derided the men for only having water (instead of wine or oil) to pour on the sacrificial fire offered to Apollo in thanks for their safe arrival on the island (as reported by Apollonios Rhodios in Argonuatica Book IV, line 1730).

“Theodore notes that at the Lower Monastery, ‘In every direction are to be seen inscriptions let into the walls…. It would appear from the inscriptions that this ground was once covered with temples, the principal one being dedicated to Apollo Aeglites, another to Aphrodite, another to Aesculapius, etc.’ (Bent 1885: 50). His work on the inscriptions appears in another ‘blog’ entry (‘Incidentally II’) .

“Of course, and as ever, far the best thing to do is go see for yourselves! The road there is excellent – you can hire a car, scooter, or bike, but the joy is in the walking – there is a coastal path – and in front of you all the way is the tempting and high Kalamiotissa church in the distance. Go on, you can do it!

References

* Bent, Mabel and Brisch, Gerald (ed.) 2006. The Travel Chronicles of Mrs. J. Theodore Bent, Vol I: Greece and the Levantine Littoral. Oxford, Archaeopress.
* Bent, Theodore 1885 (2002). The Cyclades, or Life Among the Insular Greeks. Oxford, Archaeopress.
* Ross, Ludwig 1840-1852. Reisen auf den griechischen Inseln des ägäischen Meeres (1840-45). Stuttgart, Tübingen, Cotta [https://archive.org/details/reisenundreiser00rossgoog].

Websites
For the Greek Epigraphical Society, see https://greekepigraphicsociety.org.gr/august-2011/#more-440 (accessed 17/03/2018).

Incidentally III: Margaret Kenna, and the Bents on Anáfi in 1884 – My style rocks?

We are delighted to post the third in Professor Margaret Kenna’s Theodore and Mabel Bent-related series of ‘incidentals’ covering the Cycladic island of Anáfi. Margaret is a retired social anthropologist from Swansea University who has been carrying out research on Anáfi, and among Anáfiot migrants in Athens, since 1966. She has written two books and many articles in English about her research: Greek Island Life: Fieldwork on Anafi (2nd edition 2017, Sean Kingston Publishing), and The Social Organisation of Exile: Greek Political Dissidents in the 1930s (2001, Routledge). A Greek translation of the second book was published in 2004 by Alexandreia Press. Many of her articles, in English and in Greek translation, can be found on the websites: academia.edu and ResearchGate. She has also written several booklets which can be found in tourist shops on the island: Anafi: a Brief Guide; Anafi: Island of Exile; The Folklore and Traditions of Anafi, and The Traditional Embroideries of Anafi. She was made an Honorary Citizen of the island in 2006.

This third short ‘talk’ in Professor Kenna’s thyme-scented series involves an island dress: ‘Mabel’s notes; Theodore’s published text; BUT what did Efthimia’s costume look like?’. During the time the Bents were on Anafi in early January 1884, they were fancily entertained by ‘the demarch’, surnamed Chalaris. On the first evening, they asked his daughter ‘Eutimia’, also the niece of their guide Matthaios Simos, an Anafiot, to show them ‘one of the old Anaphiote costumes’….

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Mabel’s notes; Theodore’s published text; BUT what did Efthimia’s costume look like?

“During the time they were on Anafi in early January 1884, the Bents were entertained by ‘the demarch’, surnamed Chalaris. On the first evening, they asked his daughter ‘Eutimia’, also the niece of their guide Matthaios Simos, an Anafiot, to show them ‘one of the old Anaphiote costumes’. (Nowadays the name is more likely to be spelt Efthimia, as that is how it is pronounced).

“Theodore Bent describes her appearance as ‘magnificent’. In his description of the costume he borrows almost word for word from his wife’s account in her diary: ‘[the costume] consisted of a violet silk brocade skirt, green velvet bodice, gold embroidered stomacher [(a ‘stomacher’ is a V-shaped piece of decorative cloth filling the opening of a bodice], and a short pink satin jacket, edged round the cuffs and down the front with pink fur. The headdress somewhat resembled the pina of Siphnos, but is here called ‘the circle’ (ό κύκλος): it consists of a tall wedge of cotton inside, over which Oriental handkerchiefs are gracefully arranged, so that the ends hang down over the shoulders.’ [Mabel’s diary (kindly supplied by Gerry Brisch; 2006) does not mention the pina, but says ‘Her head was very prettily arranged with 2 of the little embroidered towels we use for antimacassars’.] ‘During the last few years this style of dress has been entirely abandoned; those who wore it were laughed at; and Eutimia that evening came in for a good share of ridicule,…’ (Bent 1885: 45).

“So – what did the ‘old Anaphiote dress’ look like? If we look at old engravings of the costume of the women of Sifnos, we can get some idea of how the pina (rather like a dunce’s cap) looked, and the fur-trimmed jacket:

Fig.1: Detail of old engraving of woman of Sifnos wearing the pina, and a fur-trimmed long coat. M-G-F-A de Choiseul-Gouffier, 1782 Voyage Pittoresque de la Grèce. © Benaki Museum Athens.

“A traditional woman’s costume (in the National Historical Museum in Athens) from the island of Amorgos (roughly 32 miles/ 50 kilometres north-north-east of Anafi) possibly helps with what the skirt and bodice looked like.

Fig. 2: Traditional costume from Amorgos (image from National Historical Museum, Athens).

“If we combine elements from the two images, and re-colour according to Mabel’s and Theodore’s description, something like this might be what Efthimia looked like on that January evening…

Fig. 3: Hypothetical reconstruction of the ‘old Anaphiote costume’…. (M. Kenna).

Fig. 4: …. Or, maybe like this? Drawing © Judith Stroud.

“Anyway, perhaps you would like to visit the island this summer and try and find out for yourselves and let us know!…Of course with your copies of the Bents’ jottings in your hands!”

References
Bent, Mabel and Brisch, Gerald (ed.) 2006. The Travel Chronicles of Mrs. J. Theodore Bent, Vol I: Greece and the Levantine Littoral. Oxford, Archaeopress.

Bent, Theodore 1885 (2002). The Cyclades, or Life Among the Insular Greeks. Oxford, Archaeopress.

See also the blog ‘Folk Costume and Embroidery‘.

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Many happy returns Theodore – born 30 March 1852

 

One of Mabel Bent’s favourite photos of Theodore. She chose it as the frontispiece for her great tribute to him – her book “Southern Arabia” (1900).

The trouble with travel is that you miss your birthdays – just look where Theodore was on 30 March for these frantic years of the Bents’ travels together: 1884 = Kea (Cyclades); 1885 = Karpathos (Dodecanese); 1886 = Samos; 1887 = Thasos; 1888 = Patara (Antalya province, Turkey); 1889 = Kurd-i-Bala, Iran; 1890 = Mersin area, Turkey; 1891 = en route for ‘Great Zimbabwe’; 1892 = UK; 1893 = Aksum area, Ethiopia; 1894 = Aden, Yemen; 1895 = UK; 1896 = returning from Athens to UK; 1897 (his 45th and last) = Aden, Yemen.

As an example of what he was up to, we have this extract from his notes of 30 March 1889, written up and presented a couple of years later. Taken from Theodore and Mabel’s cavalcade through Iran, south-north, we have Persia with all her fascination; it is written in his best, jaunty style: illustrative, informative, energetic, engaged and engaging. Classic Bent.

Map of the Bents’ great ride through Persia in 1889 (© Glyn Griffiths).

“Certainly, Persia, off the main line of route, is as different as possible from the Persia that the ordinary traveller sees. For two days after leaving Nejifabad we passed through villages nestling in fertility. Each village is, or rather was, protected by its mud fort, built on a hill, around which the cottages cluster – cottages which dazzle the eye with their continuity of mud domes and brown walls. Wapusht looked like a nest of cottage beehives stuck together. Within, the houses were comfortable enough, and bore every appearance of prosperity, for here they are off the routes which soldiers and governors of provinces pass over, and when free from Government extortions Persia prospers.

“On ascending to higher ground we came across a cold and barren district; the howling wind from the snow mountains made us again love those furs which we had considered unnecessary burdens when leaving Ispahan. These sudden changes of temperature are the bane of the Persian traveller, and woe to those who are not provided with artificial warmth. On reaching Kurd-i-Bala [March 30, 1899. The settlement is near modern Varposht, n-w of Najafabad], the first of the manna villages, we found ourselves in Armenian society. Of late years the Armenians in Persia, by foreign intervention, have had their condition greatly ameliorated, and if this state of things is allowed to continue they are likely once more to become the most prosperous of the Shah’s subjects. I was glad enough to warm myself by taking a brisk walk on reaching our destination, and accepted gladly the offices of the Karapiet, the Reis or headman of the village, and our host, who volunteered to take me up the mountain side and show me the manna shrub.

“In the fields around the village the Armenian women were tilling the ground. On their heads they wore tall head-dresses, with flat crowns and silver chains dangling therefrom – very uncomfortable gear for purposes of husbandry – and beneath their bright red skirts peeped drawers with embroidered edges. Armenian women hide only the lower part of the face, deeming it unseemly that the mouth should be shown to members of the opposite sex.

Bala khana at Yezd-i-Khast. Etching by H. Gedan, based on a Persian photograph by Mabel Bent, in J. T. Bent’s article ‘New Year’s Day in a Persian Village’. ‘English Illustrated Magazine’, 1890, Vol. 76 (Jan), 326-31 (private collection).

“Kurd-i-Bala is a great village for manna, the ‘gez-angebeen’, as the Persians call it. About twenty minutes’ walk brought us to a gorge in the mountains where acres of the shrub grow. The ‘gez’ tree is a low and parasol-shaped plant of the Tamarisk tribe, never reaching more than 3ft. in height; its leaves are small and sombre in colour, and it has all over it long prickly thorns. On these leaves there comes a small insect, which is red at first, like a harvest bug; later on it turns into a sort of louse, and finally becomes a tiny moth, which, before it flies off, produces a thin white thread, about half an inch long, which hangs on the bushes. This is the manna collectors shake off on to trays, which are put below for the purpose, and the material thus collected they call ‘gez’. They say the insect appears fifteen days before the hot weather begins, and disappears fifteen days before the cold season sets in. Every third day during a term of forty days about August they collect this species of honey from the trees, which forms itself into a white gelatinous mass, and the leaves become covered again with surprising rapidity…”

(From: J. Theodore Bent, Village Life in Persia, ‘The New Review’, 5:29 (1891/Oct.): 355-359)

Happy birthday Theodore!

A review of Bent birthdays based on Mabel Bent’s Chronicles, 1884-1897

The accompanying interactive map below plots these birthdays: Mabel in green, Theodore in blue. (NB: London [13 Great Cumberland Place] stands in for unknown locations in Great Britain; the couple could have been away visiting family and friends in Ireland or England, including at their property ‘Sutton Hall’, outside of Macclesfield.)


There were 28 Bent birthday events (2 x 14) between 1884–1897 (the years covered by Mabel Bent’s diaries). Of these 28, only 5 (18%) were not spent in the field, and only 7 times (25%) does Mabel refer to a birthday in her notebooks directly. In the above Table, column 1 gives the year and ages of the Bents on their birthdays; columns 2 and 3 give their birthday locations. Events in red are when Mabel refers directly to their birthdays. ‘London’ is standing in for unknown locations in Great Britain. If not at their main residence (13 Great Cumberland Place), the couple could have been visiting family and friends in Ireland and England, including at their property Sutton Hall, outside of Macclesfield.

 

‘A traveller without a map……’

New interactive maps just posted on our site!

As Theodore and Mabel were wont to say, ‘A traveller without a map is like, er,….lost’. From Aksum to Zimbabwe, wherever they set out to explore, they always insisted on taking the latest maps with them; or commissioning special ones for their routes; or going so far as to take their own cartographers along with them (e.g. Imam Sharif’s map of the Bents’ expedition to the Wadi Hadramaut in 1894). Mabel later, in a short autobiographical article recalled: ‘In one of my investigations of the library at home I came upon a book that I made up my mind to examine. It had a delightful title “The Atlas of Undiscovered Countries”. It was firmly fixed, and to get at it I had to exert all my strength and become very hot, tugging out the great folios that were on each side, and then to my disgust I found my prize was only a false wooden book to support the upper shelf. Years after I exclaimed, ‘Now I have really an atlas of undiscovered countries of my own’, when I eagerly unpacked a map in eight sheets (that my husband had had made at Stanford’s, of Southern Arabia, when we were first thinking of exploring that part of the world) and found two or three of the sheets blank save for latitude and longitude marks. I am glad to say that the blank is not so large now…’

We are glad, too, to say that our website now has a series of interactive Google maps detailing the 20 years of the Bents’ expeditions. The most recent one added is labelled ‘The Bents’ Greatest Hits’ and shows the sites where the Bents made their most significant researches or discoveries in the 1880s and ’90s – from Aksum to Zimbabwe; the map also features a separate layer picking out significant locations for the Bents in England and Ireland. The pins are augmented with texts, photos, etc., and are very well worth a few minutes of your busy day – to transport you back to the late 19th century and days of solar topees, slow steamers, gin and quinine, leather portmanteaux, assorted adventures, and nights under unrecognisable stars…

Imam Sharif’s map of the Bents’ expedition to the Wadi Hadramaut, 1894. From Theodore Bent’s 1894 paper for the Royal Geographical Society. Image © The Bent Archive
Imam Sharif’s map of the Bents’ expedition to the Wadi Hadramaut, 1894. From Theodore Bent’s 1894 paper for the Royal Geographical Society. Image © The Bent Archive